alonetone radio: Popular
Popular
a spicy latte instrumental. a little chai. a butch looking cheeseburger. now in stereo
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lyrics by juniper arrangemnt by juniper, vocals by hot wheels.
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that mood is so scary/comes forth quickly/ like im a spooked animal/ I know you have been domesticated/ through centuries/ so what possession/ telltale twitch jettisoned...
There lurks something about/ spillings of toxic oil/ crytalline liquid…
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this song is a take on classicism and neo fascism, and not sounding like everyone else.
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Keep Shining Through- Last minute lyrics…kind of a cop-out, since it’s a song about song-writing. I didn’t have any better ideas and after losing so much time from the outage I had to just bust out what I could. It was pretty much written on the…
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She Didn’t Know- So, someone I know got totally screwed over. The worst part was that her friends knew but didn’t tell her what was happening. I am not sure she will love the fact I wrote a song about it, but that is the least of her worries right…
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Hold On- Ok, this one is really hard. Not in a rock sense, but other ways. Musically, this song really dances on the line of schmaltz, and a few times, trips over it. I had a hard time singing some of the lines, since I don’t have a pretty voice…
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Don’t Talk Much- Perhaps it’s time you got over your big, bad self and moved on.
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Sweet Tomorrow- Well, after the previous downer of a lyrical journey, how about a song of hope? Except, after a big downer, you may bit a bit leery, a bit closed off and nervous about taking a chance. So this song is a conversation between two…
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Derivative- This one was not supposed to be on the album, but I changed my mind and worked on it. The reason for the intended omission was because the riff, which I have been playing with for a few months, just sounded so derivative of Dear Prudence…
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Love’s Standing- A good change up for the flow of the album, this one is vaguely, very vaguely, country-esque. That’s mainly because of the heavily reverbed slide underneath the acoustic in the verses. I love pounding the strings on the acoustic…
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A personal anti-war song...or something like that !-)
"
I wrote this song,
It came from the inside,
Because of that,
I can make it stop.
"
Gear used: Dark Energy, Micron
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With Phil Close on multiple instruments/production. A song mainly about my disrepect for celebrity culture.
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Instrumental assists from Michael Kardos, overall arrangement by Phil Close, additional vocals from Lee Cusenbary. Envisioned as a cheesy Costa Rican Tourist Board jingle framing a love song.
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Everybody loves the Good old Days. Instrumental and production help from Phil Close
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Additional instruments and arrangements by Thom Polimeros.
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I co-wrote the lyric with Bill Liggett, and the music with Michael Kardoff. Don't do business with Ms. Calamari.
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This track replaced the one in this position which was on the orginal RPM album. Based on some tales from real-life Houston Bail-bondsman (and frequent collaborator) Jay Lindsey.
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This song was honored by peers at RPM in '07 by being voted into inclusion on an all-RPM compiliation originally intended for HEAR! music.
The lyric is about the inevitability of bad times. It's good to live optimistically, but let's face it…
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An instrumental "bonus" track for the official release of the album "Thou Shalt".
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Another instrumental "bonus". Sort of a tribute to Danny Elfman, whose soundtracks I'd been listening to quite a bit at the time.
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At last, my secret is out. What I really want to be is a Jazz composer. ;)
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During my Animal Collective phase. One of the weirder ones...
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Don't believe the title. Ok, you probably should.
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Also known as "Sequence 6 & 7" in the "Watercolors" project which was my entry to the RPM Challenge 2010.
It is all about that overwhelmingly happy feeling that makes you weak in your knees and you just feel like sitting down and enjoy the…
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Written in a desperate attempt to finish the RPM 2010 challenge!
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Picture an older couple going out for a night of live music and dancing, country-style.
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This song is a brontosaurus of an instrumental, stepping on trees and crushing houses. It is a force of nature which has not walked this earth for many years...now its on the internet. in this song i play a guitar, laminated placemat, etc.
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Juniper reads a movie tag line while an early improv piece explodes into a swirling strutting admonishment.
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This song is actually what i consider a pretty song, well, instrumental. complete with tinkling noises, waveform hums of several pitches and rates
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this song is too funny. make up some words or just pretend its pizza the hut.
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weird beat poet sounding vocals
accoustic meanderings
some strange accompaniment.
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some light rhyming with a twist.
I played the organ loop with the cord plugged in the out jack and couldnt hear what i was playing. that was a formative moment for me artistically. When I realized I didn't want to control how each song sounded…
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relax baby.
you look like the american fflag/dont be so unchill baby/somebody might think your uncool.
The guitar loop haunting you in the second half of the song was recorded from an accoustic guitar onto my cell pphone and to this day remains…
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tearing up the papers
oh no no thats not what i mean't
rythym guitar accompanies a scene out of an office space disaster where a sexual innuendo may have not been misinterpreted
close with cymbals and wind chimes as the intense situation allows…
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this song is a wild ride out of key. very accoustic rythmyc, and mysterious...
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Primeira música dos DM (Thomas Gibson e Francisco Jesus)
Composição/Voz: Francisco Jesus
Composição/Produção: Thomas Gibson
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Hiking in Rocky Mountain National Park, the opening melodies to this song found their way into my head... A song of hiking, love, and life... Won't you come with me on the trail?
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A love song... It's amazing how easy it would've been to miss her... So lucky I didn't.
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Guitar, $300... Folding chair, $30... Firewood, free... Labor Day, priceless.
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Sometimes, all you need to do is decide that you're gonna save yourself.
COMING UP OVER THE RISE
So low I couldn't see the skies
The shadows had me hypnotized
Climbing high, sun in my eyes
I was down, but now I'm coming up over the rise…
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Some girls have had it far too rough for their very few years.
How old were you when you'd seen enough
How old were you when your hide got tough
Your wounds have scarred
Sometimes they still sting
Close your eyes and hear her sing
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got a new threat, new threat baby/ i gotta new threat/ to your existence/pushing daisies/pumpin pistons/in the engine of your destruction/ a generator supports your load/a load of crap/ your new abode/ i gotta new threat, im on your cell phone…
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c.mon bitches/ step it up now/ feel the burn/ i aint talking bout no hemerroids ma'am/
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well its a dirty pile o snow meltin into the ground/ just a dirty pile o snow meltin inna tha ground/ and theres a rusty pole sticking outta the dirt/ rusty pole stickin outta tha dirt/ and the mighty snowplow pushin it around/ yeah the mighty…
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do not follow instructions/its just other people making signs/ an asphault schooner sky/ a plaster walrus eye/ why are people pointing guns at each other/ isnt that crazy/ they mad or sumptin? I just dont get it/ why dont we have/ a global bucket…
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it art its love of course/ the source of a divorce/
if your droolin/its the new sexy/
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zoozaza its all a brujaja ha hahahahahaha/
the bands width is not a cummerbund/ words to squeeze out the imperfect/ bright lites fandango oh so fun/ where is the allah/ messiah/ the jah?
as a species/ we fall to peaces/ our pretense, provoked…
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take me home to the planet earth/ ladyslippers wet with dew/ love sinking into roots..
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hold a census/ and a samba
no one cares/ about uganda
do you wanna/ marijuana
its the cola/ of the nation
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Kill Yourself To This Song-
Produced by Adam West
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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Underground Music -
Produced by Adam West
Co-Produced by Bradley Logan
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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Dead Man Walking-
Produced by Adam West
Lyrics by Bradley Logan
Lyrics by Corey Larson
GrewSum appears Courtesy of prone records
recorded Feb.2010 at Belowzero Studios
copyright 2010
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Clones-
Produced by Adam West
Co-Produced by Bradley Logan
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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Beat You Till You Die-
Produced by Adam West
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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Rob You For Your Life-
Produced by Adam West
Co Produced by Bradley Logan
Lyrics by Bradley Logan
Lyrics by Phil Lafreniere
recorded Feb.2010 at Belowzero Studios
copyright 2010
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You Don't Leave Alive-
Produced by Adam West
Co Produced by Bradley Logan
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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I Spit Shit Filthy -
Produced by Adam West
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
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A project just starting off as a composition for strings, got into the track, put some vocals on it and became quite a cool track.
Any feedback would be great.
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Epic hip-hop on some samurai invasion hype! Nehemiah lacayo, skeenilly, messiah , and mano! real hip-hop
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a smooth track with nehemiah sinnaman and skeenilly
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nehemiah lacayo, mano , messiah coming soulful!!
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nehemiah lacayo and skeenilly coming with the epic hip-hop1!!!
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man and nehemiah lacayo spit that raw hardcore hip-hop!!
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mano nehemiah lacayo and messiah over a smooth slow jazz sample, on that pete rock hype, we rep the old school true and pure hiphop
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mano and nehemiah lacayo, stay grimey and lyrical!
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sinnaman nehmaih lacayo and mano over a real hiphop beat! CLASSIC HIP-HOP RIGHT HERE!@!!!!!
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Bouncy funk bass and a fine funk-filled beat equals an electropop tune that borders on '70s kitsch.
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Moody downtempo instrumental inspired by a single word randomly looked up in the dictionary. (The Dictionary Challenge on the RPM boards!) In no way related to the recent flurry of teenage vampire/werewolf flicks.
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A jazzy instrumental that was once titled Union Of The Steak.
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Was track 4 on my rpm 2009 project that never made it in.
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Soothing third world chillout with screaming violin, clanging galvanized iron roof shingles, and mutant radio signals being broadcast amidst the squalor.
Trust me, you don't want to hear V.1.
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Track 6 from my rpm 2009 album which was never handed in. Was a little too self conscious and for some sense a good reason to be.
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Downtempo groove with percussions make this spicy like Senegal? Zingy like Zimbabwe? Nice like Namibia!
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With a 909 drum loop reminiscent of Tears for Fears instrumental fillers, this downtempo tune quickly
becomes an earful of delay, clarinet, and oozing synths.
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A more thorough remix of a track from my Mutatis Mutandis album of 2004. Done in Reason.
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I was featured artist at the Trinity Arts Live! thing at Backbeat cafe last night in Dallas. Here's the complete set.
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