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These 6 songs are from Scott Anderson in Portland and very much reflect his amazing and unique style and personality.
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These 6 songs are from Scott Anderson in Portland and very much reflect his amazing and unique style and personality.
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I am pretty sure this is a version of (Don't Do Me) Any Favors by Ellen Ferwerda (from Minnesota), written when she and Scott and I lived in Eugene in the early 90's. It has lyrics but you will have to imagine what those would be like.
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These 6 songs are from Scott Anderson in Portland and very much reflect his amazing and unique style and personality.
Uploaded
The explanation for this is a bit long, so if you're just looking for the lyrics, switch over to "about" and click the "view more" box below.
So I'm eating fish and chips at an Irish restaurant waiting to play an open mic in Saratoga over at…
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A track from my RPM 2011 album 'Glass Wall'.
The idea is adapted from "The Blind Boy's Dog" by Hank Snow:
http://www.youtube.com/watch?v=KiRVR76hwvs
The song contains references to people you may not recognise if you're not from Australia…
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Brad Dassey
Holy Ghost Party
http://www.theprayercloset.org
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I think theres the last addition to my rpm album. whew I think it's done
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![shouyi[MhonAlzo]'s avatar](https://fastly.alonetone.com/process/x3qi17xafqj0ahdqwjrxfcc7qyvf?crop=1%3A1&width=80&quality=68)
Rock instrumental. Recorded Christmas 2008.
I'd struggled with a DAW. I'd stopped recording. And then my lovely wife got me a Boss MBR for Christmas. I thought this little thing the size of a fag-packet would be a nice "scratch-pad" songwriting…
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a season in hell by rimbaud,sampled and signal-processed,set to music by wordless poem,composed on the oland MC 505 groovebox.
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I tries to wake the dead. Oh if your not dead then adjust the volume at different times..
It took an hour of continuous performance before I settled down and recorded this and did excerpts and layered it here.
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this is the extended version of lifeless c where lifeless c is a cut out of lifeless b probably will not be a lifeless a as that the lifeless a source has about and hour extra recorded that would need to be considered .. maybe with a different…
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Kind of a dark song. Acoustic guitar and vox with a weird synth part.
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Another Apple Garage Band session. I thought this had a little bit of a Joe Satriani feel to it so called it Satcheroni. :)
I'm nowhere near the level of the guy, but he is an influence.
Just me plugged in to the laptop again, using the Garageband…
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this is the first warm-up part to the lifeless b and lifeless c parts of lifeless a that were cut and layered as well we decided here it sounds extraterrestrial crickets in space 1.
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This is another from my former band 3 Ton Jack. James wrote the first have and I finish the last have. We seemed to be able to do that fairly well on some of our songs. This one actually got some decent air time on the local radio stations.
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Another song James and I wrote together almost exactly half and half.
Vocals: James Johnston
guitars/backing vocals: Me
other guitars: JC Leach
Bass: John Schrader
Drums: Kevin Corum
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This was a short singer break (where I do some soloing) in one of our first shows for a Birthday Party out of a garage. We called it Funky Chick for a lack of a better name afterwards. Entirely improvised there on the spot. A this time the line…
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This was a performance at a place called the Ranchbowl in Omaha, Ne nd yes it was a bowling alley as well. We had some friends in the crowd in this one, you might be able to hear them. :) I believe this was the first and only time we performed…
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A small tribute to "Alien" (a horror movie from 1979 directed by Ridley Scott")
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This is for everyone who ever gave a hand when they were needed.
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This was the last piece recorded for the album, I wrote it over 10 years ago after the death of my Grandmother. The events of February 22 in my homw town of Christchurch, New Zealand, the earthquake that broke our city, put me in a similary sombre…
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Enervate what's in your head
No time to talk? A leak instead
And yet you wait and yet you wait
A break a drain a mottled stain
You're Clouding over ambered pain
Standing still you're standing still
You're never tempted so you've never…
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You are beautifully taken when you have the upper hand when you're in high demand
A Lady in Waiting but steady when cloying, precious toying precocious with hunger
“Beware†but nobody hears
Your wilting complaint "aren't you petty but…
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You’re painting a dead end
Capturing traces
Of throwaway faces
You memorize lines
You smother your fire
To better appeal to the maddening crowd
I'm aware
Setting you dead to rights when it's easy to blame you for finishing fine
When…
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There's still a way you rise at dawn
Before I feel I don’t belong
Before we lock into the worries of the day
Yet every morning brings romance
A short reprieve a second chance
With every heartache comes the hope that I am wrong
And…
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Falsely
You call me
Desperately At least when it's my turn
quickly
You agree
You're killing off the ways that you could be
Someone who's willing
to live Or willing to learn
Falsely
You call me
Desperately At least when it's my turn…
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Linda spins without a care
Idle thoughts twirling in the air
Never quite a mystery
Never choosing what she wants to save
She escapes substantial loss
By adding interest to her cause
A little death a shallow say
Never paying for her shallow…
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I’ve seen the trimmings you destroy
The kindness that you avoid
Our subtle ways our sad affairs
Our vagrant airs dissolve to noise
What do you contemplate you're standing still
Your posture motivates the scene
You still don’t understand…
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a season in hell by rimbaud,samped and signal-processed,se to music by wordless poem,composed on the roland MC 505 groovebox.
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A recording made 'live from air' of radio stations playing one night in 1995
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A track from my RPM 2011 album 'Glass Wall'.
It was created entirely on my iPad.
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a season in hell by rimbaud,sampled and signal -processed,set to music by wordless poemcomposed on the roland MC 505 groovebox.
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A noise drone piece made from dozens of snippets of Hammond B3 notes stretched, slowed and pitch shifted before being over laid over each other.
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"Twenty Four"
Lyrics and Music by Daniel Parkhill
I'm a poet and a lover and a son and a brother and a brick in the wall.
My patience was short but I'm learning the importance of starting out small.
Didn't know where to begin cause I'm human…
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Mentally Blocked from coming up with lyrics. Changed directions and pieced together an instrumental.
RPM 11
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Just some playing around with Electronica. This track is the oddball of the bunch. The rest are more pop/rock.
RPM 11
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I thought this little loop from "Do Not Lean Against Doors" made a nice intro.
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One of these days I sort of want to try an all acapella album. You may or may not notice a reference to "We Have Heaven" by Yes in there.
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One of the two actually finished songs. Everything in this song was created using Hammerhead, my voice, and a beer bottle.
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tale of sweethearts that couldnt make the finish line of life together.
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tale of a few past relationships that just never could get to the "next level" and sort of a tribute to aging punksters.
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this is a song that came from the pain of dealing with idiots that just dont get it on a daily basis. newest mix tries to deal with vocal vs instruments imbalance.
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this song never really came together because of my flawed vocal rig. everything is mixed weird to try to compensate. K.G. did his best and brought it a long way.
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If you load a song into windows sound recorder, speed it up a lot, then slow it back down, you get some strange results.
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More experiments on "Solid Ghosts" with windows sound recorder.
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Even more sound recorder craziness, with "Do Not Lean Against Doors" as the source material this tome.
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comin down from the fly shakimunis trajectory
seat 14-c on the 747
questioning life death
and all things transitory
thru the skymall pages
shave the dome
direct the signal
from manic malicious self indulgent loneliness
like a handmade quoddy
shaping…
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