alonetone radio: Popular
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Time has a way of passing by
In the blink of an eye
And once in awhile it moves in slow motion
So here we are, our special day
On our magic highway
Let's give our love some more devotion
25 Years and we're just gettin' started
25 Years…
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Mike (Dragonsong) asked me to sing this poem, from a well loved C17th Somerset folk song, over his music - was a lovely pleasure.
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yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
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yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
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yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
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yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
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yeah the supernova II has very powerful beat creation tools.. like a-h letters of preprogrammed drum mappings going on— and a way to work with them I have never bothered with being a zero beat kind of person– so I took a little time out to put…
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This began (as many do) as a very light hearted, feel-good formulaic verse/chorus sort of thing... I played the first minute or so to my wife and she said it had an almost festive feel to it - all that was missing were sleigh bells... But I didn…
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I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
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I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
Uploaded
I am building with the new list of patches that have the new preset settings.. like 128 new patches to play with. I just take the new patch and really mess with it like I usually do --- and record the reprogramming of the new patches and save that-
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My latest finished song, sadly. Another glut of Hive sounds.
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Getting back to my roots here. This is almost a one-synth song, with most of the parts played by my then newly acquired Hive (mwa ha ha haaaa!). Also features TAL's Bassline 101, which is an excellent SH-101 in VST form, and numerous Voxengo…
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SDCompo round 93
Funny thing about this tune is the first draft was an entirely different animal. This version formed toward the end of the round and came together in 5 days.
This one actually placed first.
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Once upon a time there was an online music competition called the Soundevotion Compo or SDC for short. It was more my thing because each round was a month long instead of the more typical week long, day long, or even one or two hour long compos…
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Dark post rockish album in the works.
I got 3 tracks release on it thus far.
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After the successful release of NO FEELINGS ft Best ERIMIX is back with another smash hit single tittled ORIMI ft Pablo. Download and enjoy.
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This is the 31st, and final, track in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31. I've typed that so many times, but now is the final time.
This song is the culmination of all the previous songs. It's less…
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This is the 30th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31. (One more to go!)
30EDO has 5EDO as a subset, so the first thing I did is create 5EDO. Then, what I did was move a few of the notes up…
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This is the 29th track in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31. (Two days to go!)
Upon starting this, I didn't really know what to do. So, I played around a bit and found that if I used two different…
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This is the 28th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
Before I begin to talk about this song, I just want to say that we are very close to the finale. Only 3 days to go! I've been working…
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This is the 27th song in my album, Edolian, where I make a song in every EDO from 1 to 27.
In this song I used a scale which I have dubbed the "Adventure Scale", which has the scale degrees: 0 5 10 11 16 21 22 26 27. It is a really interesting…
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This is 26th song in my album, Edolian, where I make a song in every EDO from 1 to 31.
When I started I didn't really know what to do with this. So, I experimented with a few different scales and things, and I found one I liked. The scale…
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This is the 25th track in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
So, according to xen.wiki 25EDO has a good blackwood scale. The problem being, I could not find the scale degrees to it. So, in this…
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This is the 24th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
24EDO is also known as the quarter-tone tuning, as it is the normal 12 notes in western european music, however we split the half…
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This is the 23rd track in my album, Edolian, where I make a song in every EDO from 1 to 31.
I didn't really know what to do with this track when I started. Like the last track, I went to xen.wiki and went through MOS scales until I found…
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This is the 22nd track in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
So, 22edo has some nice properties, having really good just intervals. However, it also has a lot of MOS scales listed on the xen…
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Clipticule Apologetically inappropriate.
We're probably on different time zone.
Get that smoke in for the kickoff.
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This is the 21st song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
So, when I began composing this, I didn't really know what to do. I then went to read the xen.wiki page, and 21EDO can be interpreted…
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This is the 20th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
So, 20EDO is an interesting tuning. It's effectively the quarter tone equivalent of 10EDO. In this track, I found 3 chords that you…
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This is the 19th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31, sequentially.
This song is probably one of the less interesting songs in this album, except maybe the harmony. Hell, it's even…
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This is the 18th song in my album, Edolian, where I sequentially make a song in ever EDO from 1 to 31.
18EDO has a bit of a reputation for being a bit shit. It has practically 0 good intervals, and as such western harmony doesn't work…
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This is the 17th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
17EDO is a really good system, and it approximates most intervals good. Here I used the MOS 3L4s scale, which has a bit of a neutral…
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This is the 16th song in my album, Edolian, where I sequentially make a song in every EDO from 1 to 31.
So, 16edo can sound really good if you use it right. It has some good intervals, but also some bad ones. If you just avoid the bad…
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This is the 15th song in my album, Edolian, where I incrementally make a song in every EDO from 1 to 31.
15EDO has some very good harmonic features, but most importantly melodies in 15EDO sound really good. It's also pretty easy to use…
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This is the 14th song in my album, Edolian, where I incrementally make a song in every EDO from 1 to 31
So, as mentioned in the description of the previous track, 14edo is probably my favorite EDO. It doesn't sound dissonant, but it doesn…
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This is the 13th song in my album, Edolian, where I incrementally make a song in every EDO from 1 to 31.
So, 13edo is a very... interesting sound. It has barely any perfect intervals, and the most consonant interval I could find is the…
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This is the 12th song in my album, Edolian, where I incrementally make a song in every EDO from 1 to 31
So, this is probably one of the only songs in typical western tuning that I'll post on this account. This song is a full band arrangement…
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This is the 11th track in my album, Edolian, where I make a song in every EDO from 1 to 31, incrementally.
So, 11edo, the EDO known for being extremely dissonant. The beginning of this song is actually dissonant, with chromatic steps…
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This is the 10th song in my album, Edolian, where I incrementally go from 1 to 31 EDO.
So, last time I said that I might switch between the two pentatonic scales in 10EDO as what I was gonna do for this, but I tried that and it sounded…
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This is the 9th song in my album, Edolian, where I incrementally go from 1 to 31 EDO.
So, this song is interesting. I used every note from 9EDO in this piece, and I kind of wanted a more jazz-esque vibe in this. While it isn't the exact…
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This is the 8th track in my album, Edolian, where I incrementally go from every EDO from 1 to 31.
So, 8edo is relatively interesting. It's basically twice 4edo, however it sounds a lot different (if used in the way I used it, at least…
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This is the 7th song in my album, Edolian, where I incrementally go through every EDO from 1 to 31.
As stated in the description of the previous song, I really like 7EDO, as it's a subset of my favorite tuning, 14EDO. 7EDO is basically…
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This is the 6th track in my album, Edolian, which is an album where I go through every EDO from 1 to 31 incrementally.
This song is made in 6EDO (as the title implies) which is more commonly known by it's other name, the whole-tone scale…
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This is the 5th track in my album, Edolian, where I go through every EDO from 1 to 31 incrementally.
So, this track is in 5edo (finally not a subset of 12edo), and I really like how it turned out. 5edo is cool in that you can only really…
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This is the 4th track in my album, Edolian, where I go through every EDO from 1 to 31 incrementally.So, this is probably the second song in this album I am actually happy with (first one being Cohesion.) This track is effectively only using the…
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This is the third song in a series, where every day I make a song in the next EDO, incrementally.
So, this one sounds a lot better than the last one; As I now have two mediocre intervals, instead of one bad one. This is the beginning of some…
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Day 2 of making a song in every edo from 1 to 31.
Only tritones and octaves. Yeah this track does not sound very great. It is as dissonant as physically possible. I think the best way to describe this track is "hell audoized." This is the…
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Yeah, this song is a bit of a joke. Mostly the reason this exists is that I'm starting a new album, Edolian, where every successive track I go up 1 edo, up until 31edo. There's not much to talk about in this track, it's basically just octaves…
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Sit back and get comfortable....you are here to stay...
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An actually not super sad song that I wrote a few years back lol!
Sound quality/volume control isn't great because I'm bad at mixing music lol
(I'm also finishing editing this at 1:30am so I really have no idea if it's any good ... oops…
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This is song written in 14EDO (14 Equal Divisions of the Octave.) In this piece I used an unnamed scale, which I like to call the "Insanity Scale", in which the scale degrees are:
3 1 2 3 1 2 2
14EDO is probably my favorite temperament I've…
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This song, as the title suggests, uses 14EDO. It's actually written in 11/8, which I didn't plan from the beginning. I wanted the measures to be "chopped off", and in 4 groups of 3. 11/8 was the perfect time signature for that. Aswell as that…
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I like this song, and I've recorded it twice now, but I don't think either recording lives up to its potential. I've been in Covid lock down for nine months now so I might just be crazy. Who can tell?
I cut a little out of the original…
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As a change, as part of the learning process I have been working on some cover songs, I love the Doors so here is my version of Love her Madly. Hope I do it justice.
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This was written with two acoustic guitars and a live vocal for my wife, as a surprise and a thank you for going to so many gigs with me and being so understanding about the time music takes up in my life.
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This was written as a challenge in 2016 for a joint birthday party with a 30, 40, 60 and 80 year old birthday celebration all linked into one big bash.
First real go at using a DAW.
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Pure Data oscillator and [vline~] envelope played live and looped using 4 track cassette with endless loop tape. Two takes were done and remixed together. Created for Sound-In Event Dec 5, 2020
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A nice video was made by a friend with this music on Christmas thema
here : https://youtu.be/8xLm5bZRelk :o)
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Composed with my Keyboards EPS ensoniq and Yamaha DX7
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Music I composed in tribute to Richard Wright (keybordist of Pink Floyd) when he passed away in September 2008
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Music I composed for a good friend to illustrate his video of Tat Kuang Si waterfalls he made during his journey in Laos
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New composition using following instruments :
Korg Kronos2 88LS
Korg Microstation
Novation Mininova
Electric guitar Texas Blade Classic
Diverse VSTI
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This was the only song from the 2015 RPM Challenge that did anything for me at the time. I clearly remember that. What I didn't remember until I read the notes from that 2015 alonetone post (which I did about four minutes ago) was that the guitar…
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HOUSE MUSIC
ALL RIGHTS RESERVED TO FRESHA BEATS PRODUCTIONS
LAKESHA L.WMS.💋💋💋
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HOUSE MUSIC 2020
ALL RIGHTS ©®TO FRESHA BEATS PRODUCTIONS
LAKESHA L.WMS.💋💋💋
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Uploading something to get montgomeru off my back....
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HOUSE MUSIC
A FRESHA BEATS PRODUCTIONS
ALL RIGHTS EXCLUSIVE(LAKESHA L.WMS.)💋💋💋
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This little guy comes from my first complete 50/90 back in 2014. It's super simple but for some reason I have a tough time getting a mix I like. I think the existence of the electric piano might just be throwing off my entire brain or something…
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Some soothing noodling in E minor. Feels a bit like Days of the New, I think.
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A near future something or other. Synth pads, muffled drums, lap steel with an ebow, big fog bass, etc.
All analog instruments recorded direct in for now. Gotta finish writing it before I drag out amps and whatnot.
Thanks for checking in…
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When I wrote this back in June I was really loving everything about it except for my utter shit vocal take. I thought it was the key. When I redid it this time I lowered the key a whole step and sped up the tempo for good measure. Now I can…
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soundtrack of my video-clip YIDAM at vimeo:
https://vimeo.com/487046805
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This is not the same ponderous endless time being that was mentioned by someone, somewhere. But rather I touch the water lightly and expecting the circles to disappear. And again.
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I adopted the 'kitchen sink' philosophy with this one - the 'duelling keyboards' featured are the Yamaha CS-80 and the Mini Moog; I decided to add acoustic and electric guitar chords/picking to add some texture and the basses used are the Rickenfaker…
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from the album 50
vocals Alejandro Olivares
lead guitar Dan Upton
search for so long to belong a place to go thats my own where everything is real the walls are never cold tell you how I feel while I am growing old and I am coming home to…
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from the album 50
vocals Matt Ferarra
the canyon walls are closing in the path before us disappears too late to turn around too late to turn around the sun is setting further the darkness soon will follow too late to turn around too late…
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from the album 50
vocals Hillary Watts
lead guitar Dan Upton
I hear the call, it's all that echos in my mind and what I find, inside her hand is holding mine i'm feeling fine I start to sink, I think I feel i'm on the brink and so it goes…
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from the album 50
vocals Alex Moody
lead guitar Dan Upton
I can't believe that you took everything when you came and stole my heart i'm just a shell now of the man I was and i'm tired and I don't know where to start it's now or never better…
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from the album 50
vocals Wilson
an old man beckons from the road it's not cold but he is dressed in furs from head to toe I stop the car and he gets in I don't know where he's been but he smells like sweat and mountain herbs he tells a tale…
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from the album 50
vocals Tess Savigear
lead guitar Dan Upton
a cloudy day she starts to rain and out at sea her mystery the seagulls fly she starts to cry the sound she makes drowns out the waves and everything is wet and cold erase her…
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from the album 50
vocals and lyrics by Janette Salisbury
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from the album 50
vocals Tim Alexander
lead guitar Dan Upton
go tell my mom that I ain't never gonna leave racing to the top and the wind won't stop and the view is the best i've ever seen feel the air so hot though we sweat a lot I am happier…
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from the album 50
vocals Brian Wood
lead guitar Dan Upton
My prediction This affliction Will eat you inside There’s no where to hide The answer is a prison The question is a lie My prediction This affliction Will burn alive Make you fight…
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from the album "50"
vocals by Alisa Jefferson
lead guitar Dan Upton
looking for the waterfall and I think we're almost there looking for the waterfall the anticipation in the air round the path, the path, the path goes round and round mind…
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well this will be kind of random for my listeners... but what the "hey" as they say!
In a bit of a writing desert lately, but had a lovely walk two days ago, and got inspired by the sounds coming from newly frozen ice with at least 1000 migrating…
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ALL RIGHTS RESERVED TO FRESHA BEATS PRODUCTIONS
(LAKESHA L.WMS.)
fspirit738@gmail.com
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ALL RIGHTS RESERVED TO FRESHA BEATS CATTLE LICK
2018
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ALL RIGHT RESERVED TO FRESHA BEATS PRODUCTIONS 2017
LAKESHA L. WMS
Fresha beats or fresha beats cattle lick
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ALL RIGHTS RESERVED TO FRESHA BEATS PRODUCTIONS
Lakesha L. WMS.
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House music
ALL RIGHTS RESERVED TO FRESHA BEATS PRODUCTIONS
2019-Lakesha L.WMS.💋💋💋
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Four tracks of percussive sounds played on the body of a neckless, stringless miniature acoustic guitar, picked up by a balanced contact mic. That was fed into an EHX Voice Box on Vocoder mode which was combined with various signals from a Zoom…
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All Rights Reserved to Fresh Beats Productions (In The Making THE LAST LOVE THE GOSPEL2020)
LAKESHA L.WMS.
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