alonetone radio: Popular
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Chance would rather be chained in her back yard than returned to the pound...
Yes...Portland etc...
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work omposed on a roland mc 505 groovebox,from the album,the well-tempered groovebox...pure free minimal ambient psychedelic experimental underground groovebox electronica.
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THE PICNIC
The sun broke like glass on the water
The trees threw their shade on the sand
The ants ate the crumbs on the blanket
She ate the grapes from my hand
We didn't know what we were doing
It all started off with a smile
And an innocent…
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I was reading this profile on MySpace and was impressed with this girl...really impressed. It's all there in her BIO. Masters degree and five languages. The part about using gender "stereotypes ironically" etc is an exact quote.
SKIN TONE…
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One about needing some space....
Geir: Lead Guitar Line
Launched: Harmonies bass and Production
Mr OsCKilO : Chugging Guitars and Vox
Mrs OsCKilO: Lyric
Peace Guys
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tape dubbed to the computer and reworked this morning here for the video stuff ,, will put the youtube thing in momentarily
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second part of the A side of a ninety min tape that was manipulated in audacity from 6-4-009 to be used in the video made this morning and posted here and in the last tape minp audio.
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sectioned out this is some of the same but different as well from the tape manipulations work of that date...
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This space ambient track was inspired by Andrei Tarkovsky's 1972 science fiction movie Solaris. The musical theme (and the title of the track) comes from J.S. Bach's organ piece "Ich ruf’ zu dir, Herr Jesu Christ" (BWV 639) which was heard also…
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the other even different side of tape five going to try to do a tape now and then today was tape day though so a few tapes got digitized this tape five was manipulated after the digitization :)
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from late '09 one-a-day challenge @ shorties group @ net new music
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One day I'm going to write a symphony. It gets heavy after the first 30 seconds.
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Strings && harp arrangement practice.
Possibly for the game we are working on.
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This is her second song. Or rather, it's called Her Second Song -- it's probably more like her 99th song. But it's her last song. I swear....
I know I said I would always be there
I know I said you would always always always be mine
I know…
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From my forum post on Using Impulses for other than Reverb purposes. Which do you prefer the first or the second in terms of quality?
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This song was inspired by a sample made by Sandbags (Neurotic beat 5) heard in the beginning (and throughout the piece). Thank you Matt!
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short improv (jan/10) with source material from another track in progress.
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This is my first musical expedition into the midi keyboard. Having never played the piano its a fun learning experience. Thanks to Norm for lending me Stinkbug!
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CHORUS:
You make my heart sing
and every time I see your face
you give my heart wings
so that we can fly away
You're so amazing
and you can never be replaced girl
Not in my heart
Verse 1:
I could say it's cuz you're beautiful
or I…
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The afterthoughts of the previous creations that I worked on. Also warming up the supernova for performance mode ;p, and the performance is being edited right now.
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this is a beaty thing that makes no sense to me but might just inspire you :)
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just the end and beginning of the beaty from the top music where the strange experimental stuff occurs usually...space bird starts and then the beats are back... ahhhh
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Sammy gives a very challenging sermon on the need to live in light of our weaker brothers
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the bigging of rave 'n lunacy parts of the on going works @ newbold studios, mostly beated in quick 151 bpm set up ,, better then the 151 feedback beats psytrance is trying to make LOL
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this is the thing that is neat really neat I like this cause it is close to noise but rippen first and ripplen second but nice too.
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This dreamy, meditative ambient track was inspired by Claude Debussy's piano prelude "Danseuses de Delphes".
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the thoughts and theory for this piece is described here...in the eee blog i am working on/with.
http://notonlymusic.com/wp/eeeblog/2010/10/19/ambish-sonds-for-eee/
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this is the lesser quality from the tape direct records to the computer. here the excerpt was realeased before and is not included in this release. the notes will be put up in my google documents for now.
https://docs.google.com/document/edit…
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frags delivered me a ratata soundwav and this came out.... Another track from the BackvieW playlist
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A nice acoustic/finger picking progression I wrote late one night
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Piano versus vibraphone in Expedition1....just because you can with the click of a mouse change the feel!
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(Lennon/McCartney) - from the Beatles album 'Revolver'. This was my first Beatlesfest entry for Songcrafters.
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(George Harrison) - from the Beatles album 'Rubber Soul'; my second entry for Beatlesfest at Songcrafters
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(Lennon/McCartney) - from the Beatles album 'Let It Be'. My third Beatlesfest entry at Songcrafters - this one is a duet with the great henwrench.
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started this yesterday. the transitions could be better but i'm satisfied with it
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an IF tweaked-improv piece from 5/10.
some non-western & xenharmonic elements
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A small attempt at covering Mad world by Garry Jules.
Ignore the small disturbances due to cheap mic.
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a classic ambient track, inspired by the adagio from Schubert's string-quintet
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unreleased track from "The Haystack" ...B-side if you will, this is where "circle of the freaks" or later named "We are about" originally came. Didn't make it on my rpm album tho.
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Something i wrote after a few bad years in a relationship
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Psychologically tuned dark deep ambient inspired by Maurice Ravel's noble and sentimental piano waltzes and Ingmar Bergman's noble and psycho*logical movies.
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These essential forms of time and space that occurred were recorded and remixed here. youtube coming soon..,
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3 minutes from about the 16th min to the 19th min of the mixed down out form A one. part of the lengthy one that is next..
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longer section of the fifty odd minute work that is still being altered and edited but had to get these out for the short video thingy ;p //
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full length of song created as form A one, the two stretched outs and the original work together. editing the whole thing again right now.
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Famitracker (VRC7 expantion)
to: this halloween
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This is a cover of a song written by the Red Hot Chilli Peppers. We recorded with backing guitar and drums, and went over it with the bass and finally lead guitar.
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Dogs love to swim, you know! (Well maybe not my dog.)
keywords: electronic, experimental, chill, instrumental, dogs underwater
"Remastered" - 12/18/2010
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The idea was to create something with a bit of the flavor from Bach's Passacaglia in C Minor (and especially the orchestral transcription by Respighi). I didn't quite hit the mark, but it was a really fun project.
Remixed: 12/18/2010
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I had been listening to the new Massive Attack album for a few weeks, and I was initially trying to mimic some of the sounds I heard on there - especially from the songs "Splitting the Atom" and "Girl I Love You." But, then somehow the whole thing…
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On a brisk autumn evening, in front of the Weather Channel, fast asleep, my dog and I dreamed up this song.
keywords: electronic, experimental, chill, instrumental
"Remastered" - 12/18/2010
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This something I put together pretty quickly. But it reminds a little of the stuff they play in between news stories on NPR's radio show, "All Things Considered." Dear Robert Siegel, please play my song on the radio :)
Remixed: 12/18/2010
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This is a scene bed written originally for a particularly creepy and violent scene from the HG World Serial Audio Drama.
Sinister Bed #3 by Michael L Stokes is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported…
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This is a very short scene bed I wrote as a sinister character introduction for the HG World Serial Audio Drama.
Pimp Sleaze by Michael L Stokes is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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This is a short scene bed written for the HG World Serial Audio Drama.
Mysteriosa by Michael L Stokes is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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the levels were too high here but the sounds are Oh so good that the high levels is almost meaningless.
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