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Proof that a cheap electric guitar can be a substitute for a drum kit.
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Again substituting a guitar for a drum kit but this time an acoustic.
Structurally, a more straight-forward piece, sounding more like a band than some of the other Ca Va? Oui, Ca Va! songs.
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Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
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Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
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I don't have the source-files for this one, but I think it was made in 2004, probably in the winter
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A badly-tuned kalimba, a toy drum and a novelty stapler... Pop genius.
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Totally fake rap-vocals from totally fake indians, you could tell from the cornflakes
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First take guitar part that I just liked the feeling of, which sounds a bit like a haunting version of Jeff Buckley's 'Hallelujah'.
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Beat created from different strokes on an electric guitar, which is probably of no suprise. Pretty simple arrangement but a fairly strong melancholy-pop song.
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The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.
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called this track 'dirty awakenings' because it sounds like dirty awakenings.
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Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
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Uncle Bobo needs his keys back, and he has a reward for the first person who finds them!
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This is the audio version of my blacksmithing lesson which can be found at http://ironangelforge.blogspot.com/
This webcast covers more detail on the blacksmith's forge.
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Nupitor, the planet of love. A Sluk & Xenos collaboration.
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Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980.
Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…
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A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.
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Another Blacksmith Lesson, this time with intro musics! This episode explains how to build a coal forge out of a plastic bucket and some cat litter.
All of the written lessons, along with pictures to illustrate some of the lessons, can be found…
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The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
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It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
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Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
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Another quick little ditty. Wandering the no man's land between old timey and the 21st century
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a song about a beautiful woman who loves guitars and being happy :D
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Our dear friend Lynda is in hospice; we wanted to do a song for her - for all she has done for us. This is that song. k & w
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Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
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Completely done with my microKORG. The organ sound is a preset, but the rest of the tracks are customized programs.
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I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
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For our beautiful son Willem, in French Guillaume.
recorded in my livingroom, 16-7-2009.
I called the song Guillaume before because of the beautiful sound.
Since 2012 I changed the title of the song into : Willem.
Because that makes much…
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Something I was playing around with when I was working on another project. Just the guitar and some vocals with finger snaps thrown in.
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There's really nothing special about this... I didn't even mean to write it.
I was looking for a (free) way to make music that's more... expressive. Rosegarden doesn't have enough in the way of dynamics. I tried a bunch, and I ended up with LMMS…
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This one's for that little black and tan, Nahannah.
Lyrics:
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
first thing this…
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A tribute to Ted Kennedy. It was a little ambitious for part of a 24h project.
Lyrics:
the world was hurt today
with news scary to say
we lost another man
right when progression began
and I hate to see you go
I just wanted you to…
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Lyrics:
Caged as a bird
free will is such a bitch
it's your responsibility to stay alive
pay the bills etc, etc
but how you enslave yourself
whether or not you enslave yourself
it's up to you
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As another day ends, nightfall comes to the city.
I dedicate this song to my home, México City. This tune was inspired by its quiet and beautiful side and the remnants of nature still present on it.
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This was my first "serious" attempt to make something. Although very simple the final result was quite pleasant for me, hope it is for you too.
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Written by Sluk & Buzzy in 1988
Sluk - chicken scratch, first solo
Buzzy - Drums, bass
Frankie - vox
Rod Guitar - second solo
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Hey Kids! Bring some strangers... Uncle Bobo's bus is in car jail.
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That's right! The first of my pieces with a title!
It actually started as a little tune I whistled when I was getting my soccer stuff off after practice, and it hit me to record it, so I did... This is the outcome.
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This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
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