alonetone radio: Popular
Popular
three striped gum
falls out of an old dresser drawer
fills my head with memories from before
causes me to close the door
i feel rotten to the core
three striped gum
falls out of my pocket in the rain
what would have happened if i played…
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i saw the curtains changing color
i watched the sun room come alive
i have been sitting in this rocker
wondering when you might arrive
i am hoping for redemption
cant stand the way i feel
i know it is only passing through me
rivers flood…
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you tell me what you want
you tell what you need
i cant give you nothing honey
but this pretty little seed
where has the sun gone
and is it gone forever
will it come back someday
should we just give it some time
i ask you what…
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A fantastical farcical Irish story-song. Broadway Irish.
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This fulfills a stupid promise I made years ago to write a song that was part Dave Frishberg, part Richard Thompson.
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It's based on a drawing a little girl drew (see also album cover).
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You really want to get there, but you just can't find it, but the ride is entertaining.
I'm rewriting the lyrics. It's not quite oblique enough, or so I'm told.
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Derivative folky song (don't tell Paul I said that). He writes a lot about the inadequacy of words. But, if he thinks words are so damned inadequate, why does he keep writing them?
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this one goes way ambient in the 2nd half, brian eno-ish, i wanted to experiment with doing a track with no drums
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The Trinity and Humanity. An interview of Tim Chester by Andrew Cook for the radio programme, Serving Today. www.gbm.org.uk/radio.
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The implications of the doctrine of the Trinity. An interview of Tim Chester by Andrew Cook for the radio programme, Serving Today. www.gbm.org.uk/radio.
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reloaded this in 44.1
a pedal steel gtr improv
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*"We all live in a little Village...your Village may be different from other people's Villages, but we are all prisoners." -* **_Patrick McGoohan_**
Modern electronic guitar rock.
One day you awaken in a different place
Where the names…
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*Dark modern electronic guitar rock*
You can hear it just below the blowing wind
Feel it in the nerves beneath your skin
Catch a glimpse as you drift away at night
But you can’t decode the meaning inside
Distant shrieking sets your teeth…
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*What would I be thinking about if life had gone in a different direction? A dubstep/new wave hybrid.* **_Burial_** _meets_ **_Chameleons_.**
You would have thought by now
I’d be more concerned about
More important things
Like the cash in…
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**_Underworld_** *with guitars instead of synthesizers. A sequel of sorts. Electronic rock.*
A million drops of rain
One sun behind the clouds
A million stars in the milky way
One moon is shining down
A million notes I’ve scribbled
One…
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*Ever had problems falling asleep? This is a sort of goth track influenced by* **_Bauhaus, The Sisters of Mercy,_** _and Faith-era_ **_Cure_**. Dark modern electronic guitar rock.*
Down the steps and into the dark
Leave the kingdom above…
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*My take on something like a* **_Neil Young_** *song ("After The Goldrush" meets "Revolution Blues"?)*
*Dark modern electronic guitar rock*
Well I woke in a cold sweat from a dreamless sleep
The winds were blowing papers through the empty…
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Music for a computer trying to find the answer to the ultimate question.
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Human finds Alien Spacecraft drifting in space, this is he inner dialog of our fearless (fearful) hero.
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A blatant attempt at exploiting the deep well of The Jesus and Mary Chain/Pixies/Raveonettes/House of Love. A lovingly loud, shiny and guitar-laden paean to those great bands.
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A song I wrote and recorded in one day (the day before the RPM Challenge ended, actually). I really stretched my abilities as a picker here (duff notes and all), but I shamefully admit I really like this song. A reminder to me of the strength…
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Another song held over from my band days. Again, an attempted homage to the Velvets, but perhaps a little too shiny. I still plan to replace the cheesy 'solo' synth with glockenspiel somewhere down the line.
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A song that really crept out of nowhere and one that I don't entirely understand its meaning. Some things in the song I can pinpoint the origin, but some I haven't a clue. I'm really happy with the way it turned out - semi-ok vocal and all.
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An attempt to evoke images that weren't in the first-person. I tend to write in abstract fragments and this piece is no exception.
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An exercise in configuring sonic spaces - it was only later that I realized the scathing lyrics were self-directed.
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An older song from a previous band that was never quite captured to my satisfaction. I was going for very laid-back "Pale Blue Eyes" vibe.
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A deceptively forceful song dealing with the death of my sister.
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This is basically an accordion jam with a nice bass line!
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Powerlounge - Electric Cheer
An album created for the 2009 RPM Challenge, conceived to be eventually cut into vinyl, and arranged as such, in two halves.
The track listing for side 1:
Welcome to my Weird
Bye Bye Baby
Genius / Madness
Negative…
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this is based on the soundtrack of a film called september clues very interesting dunno if its true but fun all the same for conspiracy nuts....
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Easily my favourite track on the album. This was a real forced number at the start of it's life; I was well behind my song quota (5 finished on the 23rd... time to worry) and I needed to knock something out at least. Something clicked about an…
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This is the end of the journey. It's time to maybe think and reflect about some of the things we heard and then forget we ever heard them.
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Why this represents 1993 is really quite a mystery to myself. I was 2 years old, so I've no idea why it strikes me as such a dark and mysterious year. I think I managed to get down exactly what I was thinking with this track.
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The scene setter. This was the first track on the album and I've still got mixed feelings about it. Audibly, I like it. Cohesively, it doesn't REALLY fit in... My girlfriend told me "like it needs to represent the rest of the album. It grabs your…
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There are too many amazing quotes from this film to not sample them SOMEWHERE in my album. Time after time, the 'yo-yo master' line got me laughing, so I thought I'd pay homage to it.
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I'd be lying if I said this entire track wasn't sparked by the opening audio clip. It really made me think about the ways some people create their own enjoyment. Cool.
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A bit less percussion and a bit more rhythm was the idea for this. I say that, but the track had a fully formed drum track alongside it until right at the last when I discarded it in a fit of creative temperament.
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This track is the introduction to the main bulk of the album. It says "WELCOME TO RPM '09" and doesn't let you go until you've gotten to "Dancing With The Midnight Waves", the penultimate track.
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Musical tribute to the ideas of Jane Jacobs (author of The Death and Life of Great American Cities) and Christopher Alexander (author of The Timeless Way of Building).
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Original working title was something like, "And after six years I finally understood why they sing in the streets here, and could go home." It's sort of about anonymity in the modern city. If that sounds pretentious, that's because it is.
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Good old dulcimer bash-up. This is certainly the most aggressive song I've played on dulcimer. I'm sure all those people with solid-body electric dulcimers have done worse...
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Words are from a sestina of the same title by Steve Davenport, who asked us to make music out of it! This was a terribly fun song to record. We did it, of course, while drinking. Thankfully no instruments were harmed.
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I'm going to get all pretentious again and say this one is about the concerning strain of what I might call "religious modernist traditionalism" espoused by technological singularity fanatics (Ray Kurzweil) and authors like Neil Stephenson.
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This song was recorded illegally. Please don't rat us out.
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through the dead branches, through the dead branches
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