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Track #13 of the "Someone Else's Hell" album
Lyrics:
When the rain falls, we fall too
dust blows our ash to wind
Our lives are here, not so high
as our hopes to die free
Accolades are, never so
great as we could aspire
when we leave…
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IT STARTED AT SEA AND CARRIED ON INTO THE TREES AND FURTHER......
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work composed on the roland mc 505,from the album,the well-tempered groovebox...pure free experimental minimal ambient psychedelic underground groovebox electronica.
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This is a rough mix of a track I did with the one & only Norm Harris. I've got some vocals in mind, but it may take some time to put it together, so meanwhile here's the instrumental version. Big thanks & major props to Norm…
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Sandy Velluaar 8, with your rocky canyons and chilling winds....tell us where to go next.
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When I stepped into that night I felt at home for the very first time in a long, long time. When I stepped into that street I felt complete for the very first time in a long, long time. I didn't wonder where you'd been all day. Or maybe I did…
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The starting point for Neptune was Lena's impressionistic piano improvisation in G# Minor, "the bluest of musical modes", as Lena sees it. With its gradually opening ambient layers, the song is a probe's dive into the blue, dreamlike gas layers…
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Some think Satan is a unique sentient being and that hell is a physical place where, after death, bad people suffer eternal physical torment. Others, myself included, think Satan is a metaphor for man's own worst aspects -- his Ego if you will…
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Someone said, this song sounds like a meeting of Leonard Cohen and Brian Eno in a Bucharest nightclub. Someone else said, it sounds like someone fell down the Nick Cave well. You decide!
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part 1 of the "3 Dimes" show at Doc's Records on 10/10/10
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A million guitars and he wants to play the Cello. :)
Live guitar, live cello, last summer's crickets. pardon mistakes...
cello; Dylan Harris (10)
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here this is a mix of effect thru just one patch not the eight i usually do but the one patch is mixed onto itself and altered in audacity :) the simple and single line of new minimal is downloaded here
http://www.notonlymusic.com/board/download…
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the longer version of meaninglessness the short version is next ))___((
videos soon very soon
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made during a video record session to get some image work done while mixing sounds, these are like more accidental then anything else mixed on the "spot."
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The instruments were easy, the vocals were hard.
Anyways, I think a levee mighta busted . . .
LYRICS:
Nashville flooding again
it seems all the country stars are dead
Nashville flooding, my friend
The level's rising over our heads…
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I also recorded this once through on the Martin and Zoom H-2 yesterday as well. One day I'll do a decent version of this, I promise. For now this is my modest Happy B-day to John.
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Last one for today, promise. Two Old Friends - again from 1983 and created using 2 cassette decks,4 channel mixer, Fender Mustang, vocals. Lyrics by Evan Harrington.
Two Old Friends
Leaves bear mark of the changing of season
Soon to be crushed…
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Warning: This pretends to be drum and bass. I don't have a clue. I just have fun.
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An experiment in using [Photosounder](http://photosounder.com/) which is a spectral editing tool.
This track started as a sharp tin can hit which I turned into a droning gong. But I had no idea where to go next.
So I started rifling through…
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new track from "the Hardest Blow"
vocals by Damian Lethbridge of AM/FM Dreams
Tune my soul, strum my heart, Sing me lies, tear me apart
Make me less, than I see, It’s not you, it’s just me me me
Life sucks and then you die
Waiting to…
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An experimental retro disco track reflecting dark passions from German police series Der Alte.
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The darkest hours of New Orleans during the 2005 Hurricane Katrina flooding catastrophe, as reflected in N.O. area police radio communications, scanned and streamed to Internet in real time by an unknown local contributor. Dark experimental ambient.
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work composed on a roland mc 505 groovebox,from the album,the well-tempered groovebox..pure free experimental minimal ambient underground groovebox electronica.
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Rick Handel -guitar; Joe Hannabach -mandolin; Mark Glandon -drums; James Paulson -bass
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Blues/Soul with acoustic and tremolo, its a song about spending time thinking about nothing in particular.
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Folk/Blues I suppose, inspired by the US slander of Julian Assange
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Acoustic Folk song written at the end of 4 years of living with friends in Sheffield to go on to greater things
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Blues Rock, written after reading Dr. Bloodmoney
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Blues/Folk, cover of an amazing Bert Jansch instrumental, I remember when first hearing it i thought I must learn that
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Acoustic/Folk with a choral end, not a song from a happy place..
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علي شوقك طال .. Ù…Ø¯ÙŠØ .. Ùرقة الصØوة
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Struggling to keep it together at an appropriately slow tempo. Even at that, the beauty of this tune shines through our rough rendition.
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Last drony track from the Backview album
All voices and instruments by KraftiM
Voice: A
Lyrics: A
instruments: A
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