dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
at the end of an evening, after the house lights have gone down, in the quietness of the hall,, two cellos, share a quiet moment.. dedicated to the old couple who have lived so long together, to parent who watches as their child sleeps, to the…
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting.
They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
well this is a bit awkward, but i have been chatting with Nosda Cariad about the various plus and minus of sound settings ie reverb,,, sometimes i feel like i have used too much, as sort of a crutch. in this version the reverb has been toned down…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
Jamming with a couple buddies. I screwed the lyrics up but it was fun to do. Who doesn't want to at least try an AC/DC tune?
A live recording:
Me: Vox, Bass
Joel: Guitar, Backing Vox
Chris: Drums, Backing Vox
so how come... if your from Norway you sound so much like your in west Texas??...must just prove music crosses all lands,,,of course now that i think about it,,if you were from w texas it would be an amradillo not a monkey,, fun song
wonderful vocals,, great arrangement,, this is only the 2nd of your works ive listened to,, but i hear amazing talent,, on all levels in your music,,,woooie,,here's to wandering through your catalog!!
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
Thank you for the send off
It's nice to know you didn't care
and all the years have all gone silent
Im wiping bitter tears
Im not sorry that I told you
what I thought of you was true
because what if I had to spend my whole life
lying to…
RPM 2011 number 2. Inspired by an ex-friend of mine who had the most dazzling rose tinted glasses. Always used to envy the simplicity of his view and how nothing could ever get to him (everything gets to me).. since i knew him I know a lot of…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
very nice ride... tell me if i want to learn about mixing, have you any tips?,, books, videos etc? this is a very nice work, i would like to be able to learn and do such sorts of pieces,, at least in terms of orchestral mixing
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
Comments on richardlaceves's stuff
You are really creating yourself an RPM Challenge masterpiece. It's another beautiful contribution.
I thought I heard a little Aaron Copland in there. It's beautiful
This is Gorgeous!
Beautiful mate.
i'm wondering what you made this with, i love medieval music. thumbs up from me!
This is wonderful!
Absolutely brilliant! It moved my soul.
majestic.Lovely stuff.
Really nice piece, once again. But too short.
That is incredible..I am imagining a scene showing a battle field and the aftermath of war...something along those lines.
Way cool , dig those horns.
Excellent! Love the tension/ release especially at about 3 minutes
Magical stuff. Very tasty.
awesome arrangement.. i couldn't stop listening
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting. They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
The reverb setting is a success to my ears. Nice Cello and overall piece.
Breathtaking Good tension and resolution with captivating arrangement. Nice one Richard.
If you do not do work for film....u should. Very nice piece here.
Yes! This should be an overture! Absolutely wonderful, Richard!
Very soundrack-ish, well done!
Comments made by richardlaceves
never really followed AC/DC but this is a great piece!!,,, also i bet this was really fun to do!! cool solo
so how come... if your from Norway you sound so much like your in west Texas??...must just prove music crosses all lands,,,of course now that i think about it,,if you were from w texas it would be an amradillo not a monkey,, fun song
wonderful vocals,, great arrangement,, this is only the 2nd of your works ive listened to,, but i hear amazing talent,, on all levels in your music,,,woooie,,here's to wandering through your catalog!!
also,, really nice in the headphones
a bit of electrical magic
well played
yes i agree mellow/sad,, you create a strong atmosphere in this song
very beautiful, amazing vocal arrangements,, splendid the way your voices flow together so well,, beautiful
indeed.....vibrant and smooth,, the sax is interesting and a bit coy... forget like,, I love it
nice
very nice,,the violin rich and sweet,with an apallachian country feel,,,,,,is that a cello or viola in there also?,, excellent piece
interesting piece,,,im glad i heard this
very nice,, great music for alonetoners and RPMers
woooooh very cool,,,, fine playing, this piece has great energy,, really fun!!
very excellent,, your poetry is striking,,, and your music ain't bad either (bit of a joke, since of course the music is very good),
very nice ride... tell me if i want to learn about mixing, have you any tips?,, books, videos etc? this is a very nice work, i would like to be able to learn and do such sorts of pieces,, at least in terms of orchestral mixing
very nice,, and much better than anything mickey or donald could pull off
rich and beautiful, the playing is sweet, about 2:40 in what is that instrument? very soft but high,, very very well done
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
nice