Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Just a note to all my fellow AToners,, back up, back up,, back up,, i just spent 5 days working with a down pc, i did have everything backed up but it was a bit scary,, and if anyone has issues with sonar and motu products,,i might have some hard earned help if you ever need it,, take care all and BACK UP everyday R
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments:
This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Loved this. Thanks for the trip. Also thanks for the comment on Call Me Crazy. I've had alot of computer issues the last few weeks and haven't been able to be part of this wonderful music community. Glad to have a moment to enjoy it. You're quite the composer, sir. Would love to collaborate on something sometime, if that would interest you. I don't just do country, by the way.
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
warning!!! this is a long 10+ min instrumental
It's a piece about 4 years old that was my first attempt at using synth voices,, I am still looking for a good one,, if anyone knows.
The music itself is a tone poem, loosely dedicated to a children…
very pleasant composition, and a great orchestation. although choirs might lack a bit of depth, mostly in the graves, there is really nothing wrong with those you've used..
warning!!! this is a long 10+ min instrumental
It's a piece about 4 years old that was my first attempt at using synth voices,, I am still looking for a good one,, if anyone knows.
The music itself is a tone poem, loosely dedicated to a children…
Try Soundsonline.com with Quantum Leap East West Programs, they will blow your mind.
They are mostly orchestral stuff, and realistic instruments outside synth, but i think there are plenty of synth things on the same site. if i did catch your question correctly hopefully i answered that same question.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
Here's my second submission to the Stones Fest.i'd have liked a bit more time to play....but with four children under6 you take your time when you can or it don't get done...hope you enjoy as much as i did doing....another stripped Reg Version…
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm on ice, I'm afraid to go on.
It seems fragile, but I have to go,
I have to go through it.
I had to.
Tardius evolvere on my theme "From Outside A Wall" (presented here at alonetone, too).
For the idle people (or, better: Pour la…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
nice fingers!!! what more can one keyboard player say to another? i sit i listen,, i imagine, ( i must say i, have always assumed you to be one)i move my fingers/hand in anticipation, a digital ghost following along with you work,,,, very nice
if i were wearing a hat i would take it off, if i were standing i would bow,,, to you to the music, to the feeling you entice/bring forth in this piece the disadence is interesting, it does seem to end a bit abruptly? yes/no would like to hear you thoughts..... must ask are you a keith jeret fan? very well done r
This is a beautiful song from Joni Mitchell. My friend had his 50th birthday and this was my gift, I played it live at his party and recorded it later (4-2-2011)in my livingroom.
It's one take, can't mis that if you listen to it all the way…
Not sure where I was going with this, but it ended up quite dreary for what I thought were quite motivating lyrics.
Watch this space, it may well appear again with more upbeat music.
Lyrics:
I choose the light to drive away the darkness
Choose…
yes quite a curious piece,,, a very very evocative work, i like this,,, i think it is a piece that passes into the a world that is perhaps not best described in musical terms but rather in terms of colors or emotions or temperatures or ...im truly not sure how to express what i want to about this,, except well done of course, and keep it up,,, r
I heard a story in the title so here it is with the excellent guitar by Jim Movement with contact ....hope you enjoy......
The Fisherman and the Wave (Lyrics)
Hush little child go back to sleep
Daddy will be back real soon
Hush little child go…
amazingly beautiful piece,, you have a wonderful touch here, must ask,, i assume some form of synth piano (not audio) am i correct? if so what?,, i love the clear, like a mountain pool, sound of this recording,,
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Comments on richardlaceves's stuff
Just a note to all my fellow AToners,, back up, back up,, back up,, i just spent 5 days working with a down pc, i did have everything backed up but it was a bit scary,, and if anyone has issues with sonar and motu products,,i might have some hard earned help if you ever need it,, take care all and BACK UP everyday R
As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Loved this. Thanks for the trip. Also thanks for the comment on Call Me Crazy. I've had alot of computer issues the last few weeks and haven't been able to be part of this wonderful music community. Glad to have a moment to enjoy it. You're quite the composer, sir. Would love to collaborate on something sometime, if that would interest you. I don't just do country, by the way.
A lovely performance Richard.
Beautiful piano playing! Those piano notes definitely sound like rain drops!
beautiful first movement of your piano sonata Richard
Stunningly beautiful!! Especially that middle section
Awesome.
Breath-taking!
Beautiful Richard very nicely played, really cool.
ABSOLUTELY BEAUTIFUL! w;-)
Beautiful!! In composition and execution.
...VERY nice work here. Thanks for taking the time to listen!
...beautiful.
More Doors! *Excellent*
The wind of perfection blows in your direction Richard. This is real graceful.
very pleasant composition, and a great orchestation. although choirs might lack a bit of depth, mostly in the graves, there is really nothing wrong with those you've used..
Try Soundsonline.com with Quantum Leap East West Programs, they will blow your mind. They are mostly orchestral stuff, and realistic instruments outside synth, but i think there are plenty of synth things on the same site. if i did catch your question correctly hopefully i answered that same question.
Totally gorgeous!
Comments made by richardlaceves
indeed,, very fine,, the vocals/harmonies are really nice, it all flows well together, kudos to the poem writer
it all sounds sooo good together,, you really know how to play with all the sounds in a wonderful way,, great piece
very full and rich,,, supremely well blended, love it!!
very wonderful work,, seems like you had a bit of fun doing this...
excellent!
wonderful,,, how could i not not fav this? sounds like your modulating the piece a bit as it moves along? very well done,
how picturesque, both the title and the playing,, i agree with B the jaunty ending is quite nice,, well done
i don't think yove missed anything at all,,,you seem to be right where you need to be,, very fine lota depth here loops and all
symphonic in feel, very magical,, you give me much to think about
excellent
nice fingers!!! what more can one keyboard player say to another? i sit i listen,, i imagine, ( i must say i, have always assumed you to be one)i move my fingers/hand in anticipation, a digital ghost following along with you work,,,, very nice
if i were wearing a hat i would take it off, if i were standing i would bow,,, to you to the music, to the feeling you entice/bring forth in this piece the disadence is interesting, it does seem to end a bit abruptly? yes/no would like to hear you thoughts..... must ask are you a keith jeret fan? very well done r
with respect and with a smile,, sooooo nicely done,, and life is like that, and quite beautiful none the less,, well done r
yes quite a curious piece,,, a very very evocative work, i like this,,, i think it is a piece that passes into the a world that is perhaps not best described in musical terms but rather in terms of colors or emotions or temperatures or ...im truly not sure how to express what i want to about this,, except well done of course, and keep it up,,, r
you pull me in,, sweeping me away,,,i drift along your vocal pictures floating in my mind, what a wonderful colab!! i am most amazed!!
amazingly beautiful piece,, you have a wonderful touch here, must ask,, i assume some form of synth piano (not audio) am i correct? if so what?,, i love the clear, like a mountain pool, sound of this recording,,
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
wonderful vocal, rich harmony, very nice, id say the new mic is a go
interesting,, has an western texas feel, like 7000 miles or so to the west closer to japan or the indo pacific,,, i enjoyed hearing this
well Chris, i find this rather interesting,