dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
at the end of an evening, after the house lights have gone down, in the quietness of the hall,, two cellos, share a quiet moment.. dedicated to the old couple who have lived so long together, to parent who watches as their child sleeps, to the…
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting.
They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
well this is a bit awkward, but i have been chatting with Nosda Cariad about the various plus and minus of sound settings ie reverb,,, sometimes i feel like i have used too much, as sort of a crutch. in this version the reverb has been toned down…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
wow... lovely.....how very romantic...who amongst us has not known that feeling,,,your song is so poetic,,, who ever she is she's a lucky lady..... well well played
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
impressions
4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes
7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?)
9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there?
14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed
17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed..
overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
Dark, moody and a little weird - German indie artist Black Henbanbe with his version of the mother of all English folk songs. Recommended if you like the song, drone low vocals, gothic folk ambience and psychedelic gimmicks.
dark yes,, the off beat timing and use of minors and 6ths ? cloak this old standby in a darker, sadder & less romantic side of English folklore,,, well done very interesting!
For this Mother's Day week, a conga improvisation dedicated to Saint Monica and all the other mothers who surreptitiously provide for and incessantly pray for their children. Thanks Mom!
** this could really use a tasty melody to go with…
again after the first 10 seconds a fav!!! magical,, the notes flow me over like a ??
waterfall,, swift brook,,, breeze through the palms?? well well done, there's really no comment i can make that can say how wonderful this piece is,,, acoustical magic
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
after the first 10 seconds this became a favorite!! when you say snowed in do you mean literally? if so i hope you get more snow days... the timing and cord structure are effervescent wow great work
every time you show yourself
i'll let your image float away
I'll let your image float away
you have no power
you have no power
you have no power over me
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
yelyah - “solo piano 20100410” live improv piano
Sometimes I leave in the fumbling beginnings because they’re amusing to me.
This would be one of those times.
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
interesting sound scape,,, which i find you often have,,, your music seems to cross that divide from merely hearing into the almost visual,,,,, well sounded/seen
Comments on richardlaceves's stuff
You are really creating yourself an RPM Challenge masterpiece. It's another beautiful contribution.
I thought I heard a little Aaron Copland in there. It's beautiful
This is Gorgeous!
Beautiful mate.
i'm wondering what you made this with, i love medieval music. thumbs up from me!
This is wonderful!
Absolutely brilliant! It moved my soul.
majestic.Lovely stuff.
Really nice piece, once again. But too short.
That is incredible..I am imagining a scene showing a battle field and the aftermath of war...something along those lines.
Way cool , dig those horns.
Excellent! Love the tension/ release especially at about 3 minutes
Magical stuff. Very tasty.
awesome arrangement.. i couldn't stop listening
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting. They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
The reverb setting is a success to my ears. Nice Cello and overall piece.
Breathtaking Good tension and resolution with captivating arrangement. Nice one Richard.
If you do not do work for film....u should. Very nice piece here.
Yes! This should be an overture! Absolutely wonderful, Richard!
Very soundrack-ish, well done!
Comments made by richardlaceves
very nice
excellent!!! are you working for/with MOTU?
well played,,, very well played,, just discovered your music,,, you have a new fan!!
wow... lovely.....how very romantic...who amongst us has not known that feeling,,,your song is so poetic,,, who ever she is she's a lucky lady..... well well played
impressions 4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes 7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?) 9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there? 14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed 17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed.. overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
dark yes,, the off beat timing and use of minors and 6ths ? cloak this old standby in a darker, sadder & less romantic side of English folklore,,, well done very interesting!
Cool Music,,, pretty love story/song well done!!!
very nice drum work
Beautiful,,, Peter your an amazing artist
again after the first 10 seconds a fav!!! magical,, the notes flow me over like a ?? waterfall,, swift brook,,, breeze through the palms?? well well done, there's really no comment i can make that can say how wonderful this piece is,,, acoustical magic
after the first 10 seconds this became a favorite!! when you say snowed in do you mean literally? if so i hope you get more snow days... the timing and cord structure are effervescent wow great work
very nice Mr Sweet
nice, i enjoyed listening
well well composed/played!!!! is this a midi or acoustic piano,,if midi what sort of synth and reverb are you using? i enjoyed this very very much R
excellent style,,,
very nice!!
well played
also nice
very pretty,,,, short visit into the beautiful world of solo piano
interesting sound scape,,, which i find you often have,,, your music seems to cross that divide from merely hearing into the almost visual,,,,, well sounded/seen