This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that....
In short i really like it.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
A lonely, slow, tune... with a forlorn and sometimes tense distorted guitar (actually my bass). Good music to listen to as you zone out and stare into space.
Rhythmic groove with bass and "guitars". In addition to the obvious bass track, the two distorted "guitar" tracks are actually also basses, EQ'ed and altered with various effects to sound less bassy and more guitary.
Melodic, peaceful, and trance-inducing instrumental. Used a synth clav as the underlying thematic instrument, then layered a few other things on top. The "guitar" counter-melody at the end is me playing a bass in the upper registers.
A track that I put on hold for the RPM Challenge.
Of course, now I can't really remember where I was going with it... but to have used it in the challenge would have been cheating.
What I do remember was that I had just discovered and fallen…
An old time fiddle tune without the fiddle, or the tune, really, so the vocal has to carry it, and it has that lovely raw propulsion. Written and recorded in an hour.
I'm not sure if this is rockabilly or late 40s jump R'n'B. Dance music though. I had fun with the lyrics and the backing vocals.
This is now a tidied up version 18/3/09
A happy song about being left by your no-good spouse. There's a word for the attitude in this song but I can't think of it right now ...
this is now a tidied up version 18/3/09
This has been something that has been struggling to get out for a while. I finally feel comfortable enough playing it to have pressed record...
Boring technical details:
DADGAD tuning
two improvised tracks, GT-10 Studio Acoustic Guitar preset…
A one hour track start to finish - words music and all the faffing around at the end to get the levels right.
It's a ghost story. So go get your cocoa now!
And a Murder ballad and a love story (but aren't they all).
Old Conor Higgins…
That didn't stop her.
Main vocals/bleeps by Shreya, keys and backing vocals by me. Actually, my baby daughter was in my arms while I was doing those vocals and she started crying. Even though I cropped that part, I didn't use any noise reduction…
Another experiment.
Today Eos was released. In trying it out, I found 7 random synth clips in my library (not entirely random but they might as well have been). These are fed for somewhat random durations and order through 4 Eos reverbs in…
MODERN MEDICINE DJ-Set
_____________________________________________
INSIDE:
(Emilie Simon, Kronos Quartet, Modern Medicine, NIN, The Columbus Academy Children's Choir, Beth Gibbons, Sneaker Pimps, Blue States, Vetiver etc.)
Disclaimer…
Another experiment.
Today Eos was released. In trying it out, I found 7 random synth clips in my library (not entirely random but they might as well have been). These are fed for somewhat random durations and order through 4 Eos reverbs in…
My power to you
is a part of Chill Productions "Resolutions" Album : http://www.chillproductions.com/modules/albums/resolutions/resolutions.html
It is a promise to people to get energized from me to do what they need to do. We can all share to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
and you didn't even have to spend the night to get it.
another one from the morning sessions...
First attempt at making something with the demo version of live 8 suite and some of the sample tutorials. Just the first third or so of a whole track really. It's the first thing I haven't wanted to delete straight away so I want to put it somewhere…
Comments on Mr Sandbags's stuff
I'm vibrating.....
Pardon?!
@Sis: Have to be careful of things swooping on you strangely :)
Very atmospheric, strangely swooping and ethereal for the thickness.
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
That choir chant coming in and out definitely makes this more psychedelic and somewhat disorienting... Nice textures & space.
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that.... In short i really like it.
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
Reminds me of my days working in the Denebian trilithium mines.
@bethan: probably i need about 50' clearance all around!
So, it's going to be a detached one, I take it!! Stirring stuff Bags!
That was really cool mate.
Very cool hypnotic sounds!
The video is essential to even approach comprehension of this. Wild stuff!
The fun police are looking for you. Very cool.
That looks like far too much fun.
Oh, Bags, that's creepy stuff!
Wild system.
Comments made by Mr Sandbags
Man I love your stuff. It's atmospheric, nice timbres, great beat. Hope you've got more to upload!
Good music to make you want to zone out and stare into space :)
Love this one.
Lovely.
I'm glad you decided to release this anyway because it's lovely. I'm getting used to being eased into my day by a new track from you. Keep it up! :)
Weird and wonderful. I'm enjoying your RPM album which has been a trip so far :)
An hour well spent :)
I really love these ditty's.
Kind of the anti-blues ;-) Love it!
A nice way to slide into Monday morning.
Love it.
Strange and dark. I love it :)
Great, laid back, sound.
Have to give you much kudos for working out how to make 4 reverbs sound good :)
That was great!
Love the dreamy quality and the use of BigSeq2. How did you come up with the notion of using 4 Eos in series?
Really enjoyed this one :)
Thanks for the kind words folks :)
There is something truly awesome about a track about and from making coffee :)
I enjoyed it :)