I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Damn. How on earth do you manage to get all of these separate things to fit together so well?
And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
Featuring Irina Panfilova, Piano Solo
Harvesting Memories by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
Featuring Lena Panfilova, Vocals
Night Cafe by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :)
And Wildgeas, I hope that's a good kind of hurt :)
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
From the archives. Traditional Irish slow air. Myself on the Uilleann pipes with synth backing. This was recorded at a concert here in Weston back in I think '92. Originally recorded on an ancient 4 track machine and then transferred to cassette…
A long meditation/wank.
This weeks guitar lesson we started looking at melodic minor modes. I went home and started practicing scales. Wasn't long before I got stuck on Dorian flat 2. So I fired up the looper and recorded a session.
Funny…
If it makes you laugh, you're supposed to laugh. If it makes you feel sick, you're meant to feel sick. If you like it, thanks. I saw you in the locker bay. I heard you like Toulouse-Lautrec. and by the way I didn't write the last twenty seconds…
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
Comments on Mr Sandbags's stuff
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
Very cohesive sound collage. I love this.
Well done. Very retro cool.
Wow mega cool mate this is out there dig it.
Clever and complex. Great job combining all the sounds, and still managing to avoid complete dissonance.
I moved my speakers right up next to my head. Really gets the full affect of the L/R. Fun stuff.......
well done sandbags.
My thanks to all those who contributed vocals to this track: GCD, Sudara, Marlena, MMI, La Savage, Robot Molly, Matt Savigear, Wildgeas, and me!
The coordinated chaos of this is impressive! Those layers are pretty wild.
Astounding! :)
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
Hahahahahahahahahaha!!!!!!!!!!!!
Damn. How on earth do you manage to get all of these separate things to fit together so well? And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
number 9..number 9..number 9
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Very spooky! :)
Wow you have some great sounds in this one mate sounds great with headphone
Very cool mate very cool.
...too noiszzzy for me, though.
Comments made by Mr Sandbags
Great track and I love the piano on here, fantastic.
I've listened through and love the cool, laid back chic, of your pieces. Great sound and style.
Woah... loved this, very immersive.
This is really fabulous, love the sound, love the playing. Sad when it ended, but you'll upload more won't you? :)
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Ahh.. the creepy music box at the end top's it off horribly :)
What Kirk said.
Oh, this is a bit different. Love the way the track builds up and then decays at the end.
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :) And Wildgeas, I hope that's a good kind of hurt :)
Rock isn't a genre I'll listen to often but I liked this.
Thanks folks. I had a lot of fun with this.
@lokakuunmaa: what an awesome comment mate, thank you :) It happens that Apollo is my favourite Eno album evar!
What a wonderful concoction.
Encore!
*joins applause*
Totally hypnotic.
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is great Erik, love it!
Liked this one a lot. I'm not sure if it would sound better with hardware and a different bassline. Sounded pretty cool to me as it is :)
Lovely sound.