Well done sir

All aflame for the Buzzaz: A torch relay of Metaphobias. Got it.

Awesome, can't say I've heard anything quite like it. It really sounds like something unfolding or slowly expanding itself.

Listening again to this piece. Boat-tastic.

Halfway through it did feel like it was the intro to something (cue dry ice, big light show, power chord, let's rock... mebbe!)(I think it's the hi-hat that does this to me, it reminds me of a drummer itching to get going) But, for me, it does actually bring itself to a nice conclusion. Didn't really feel like "petering out" at this end.

Oh yeah, gorgeous cello sound.

Don't think I'll ever understand this way of making music - but it do make some nice sounds. Cool track.

Thanks for the kind words folks, gave me a lift :)

Not completely daft ;) Awesome track, up there with anything I've heard from the "big names".

Sweet dreams

this sounds awesome: When the input signal from the filter exceeds the gate-on threshold the sampler plays the loop for that channel. When the incoming signal falls below the gate-off level the loop gets released and decays away. 2 minutes into the track and loving it.

I too love that cello sound. nice track.

Love the cello. Interesting sample and treatment.

Classy piece of experimentation. Musically superb but I wish I understood more of how it was achieved.

Very cool overture.

I quite like it too! You're right in that it sounds like the beginning of something else, but very enjoyable!

EEEEEEeeeeerie!

Thanks for the nice comments my friends. I've been away (for various reasons) from music for some time and this is one of my first few forays back. Trying to recapture my spirit of adventure!

Quite lovely!

nicely done!!

After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!

OMG utterly fantastic!

That's great, love what you've done here.

@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.

If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.

This is really awesome guys, lovely range of sounds blending together perfectly in the moment. Maximum kudos.

The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.

The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.

Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.

Rather groovy.

From the edges of Eno to the realms of Vangelis, nice!

Dreamy. Just perfect for this lovely spring day.

Dead catchy CG!

Enjoyed listening to that, could have listened a good while longer.

That's brilliant!

Catchy little number this.

You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!

Great track I love it.

Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.

I think Kirk just about nailed and, yeah, the guitar comes in just right.