Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Makes me think that it would be interesting to hear this before it got crushed to mp3. But maybe that would be too scary?
Very cool, even if I have to hide under my desk.
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :)
And Wildgeas, I hope that's a good kind of hurt :)
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Once again an all-Reaktor show this was made in Ableton Live 8 but recorded via Audio Hijack Pro as this was more in the way of a 'live performance' than an arrangement.
I had two instances of Reaktor. One with Metaphysical Function and my…
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Another experiment with the Reaktor ensemble 'Metaphysical Function' this time directly in Reaktor (no DAW) using the recorder box to output direct to AIFF.
I spent some time creating my own sample bank for Metaphysical Function and started…
Another experiment with the Reaktor ensemble 'Metaphysical Function' this time directly in Reaktor (no DAW) using the recorder box to output direct to AIFF.
I spent some time creating my own sample bank for Metaphysical Function and started…
Another experiment with the Reaktor ensemble 'Metaphysical Function' this time directly in Reaktor (no DAW) using the recorder box to output direct to AIFF.
I spent some time creating my own sample bank for Metaphysical Function and started…
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Woah...walking through dark dank passages on my way to an underground laboratory where I don't know what I'll find...but I was summoned and I am trusting...
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
A little experiment building a sound with the Reaktor ensemble 'Metaphysical Function' which is an awesome sound generating instrument.
Reaktor is the only instrument/effect in this track. I built it using Live 8.0.5 which I am also experimenting…
A little experiment building a sound with the Reaktor ensemble 'Metaphysical Function' which is an awesome sound generating instrument.
Reaktor is the only instrument/effect in this track. I built it using Live 8.0.5 which I am also experimenting…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
Today I gave a quickie demo of Live to my guitar instructor. I started with an empty set and threw some crap at the wall just to show him one of the work flows.
Later, when I brought the thing home I couldn't leave well enough alone and started…
Interactive audio walking tour, a collaboration with artist Kianga Ford.
The Story of This Place is a series of site-specific narratives that offer a portable audio soundtrack that guides the listener through a site with a fictional narrative…
Logic 9 - using samples from "8.5" and "8.8" by Supersilent, as well as some drum sounds from "No One Gives A Hoot About Faux-Ass Nonsense" by Don Caballero
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
When you do this kind of track it evokes a feeling of travelling without moving.
It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me.
I've always liked that feeling.
Comments on Mr Sandbags's stuff
Makes me think that it would be interesting to hear this before it got crushed to mp3. But maybe that would be too scary? Very cool, even if I have to hide under my desk.
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :) And Wildgeas, I hope that's a good kind of hurt :)
My brain hurts..........
This is very interesting mate you are getting some cool sounds out of this.
Wow some of these high pitched sounds got my ears ringing with the headphones on. very cool mate.
Cool sounds you've created here!
I'm enjoying these Reaktor sessions really cool
Seems, I arrived at that underground laboratory...Oh my, what happens next..?
sounds like something oozing out of the strata to take over the city
I don't want to meet the things that are lurking in these underground places! Some spooky sounding stuff
Woah...walking through dark dank passages on my way to an underground laboratory where I don't know what I'll find...but I was summoned and I am trusting...
These are really cool sounds mate very interesting.
No idea how I missed this before but holy moly it's great. I have a vision of robot glitch miners line dancing :-)
This is a very cool and creepy toy. I want one too!
Wow man that's one cool sound
ugh, great take on a progression tirelessly used. way to revitalize and reinvent, seriously.
soft, slow, ambient blues... the best kind. tasty guitar work from MMI as well, fits perfectly.
great track
love the vocal processing and noise elements.
Thanks folks. I had a lot of fun with this.
Comments made by Mr Sandbags
Welcome Seth :)
Perfect Sunday morning track.
Oh man that was great.
ack...foo... no edits... channelling...
I believe Sister is channel the shorts... or something :)
That was rather fun :)
Love your sound.
Love this.
I enjoyed this one very much.
Cool sound.
What an awesome track, I love this.
Awesome track man, this puts me in mind of my beloved Apollo: Atmospheres & Soundtracks. Kudos to you!
Very chilled. Bring on the full track.
I'm really liking your stuff and happy to see a fellow Logic user!
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
When you do this kind of track it evokes a feeling of travelling without moving. It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me. I've always liked that feeling.
Fabulous sound. Liked this one very much.
I love the hauntingly distant piano's you've created here. Very much.
I was so totally there. Awesome.