We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
And the award for unique interpretation goes to...
Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests)
Awesome stuff man.
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
A test track of sorts.
I typically mix a track, bounce it out to my ipod and then go for a drive. The stereo in my truck is kind of boomy and if I get the bass wrong, I'll hear about it. This has been a matter of a certain amount of guesswork…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Some guy called me back in college when I had a particularly odd outgoing message on my answering machine. He left me a message in return and I kept it all these years, finally putting it to some use.
Comments on Mr Sandbags's stuff
Cool sounds mate
Wow this is very haunting for sure sounds great through head phones love it
This is great mate dig it. And thanks for your recent comments What is a Glitch O Matic 500
A fine display Mr. Sandbags. I'll have to Google the Glitch-O-Matic 5000. I'm clueless and much to analog :D
Wow, sounds like a live acoustic performance! Very effective! Am loving your (and you probably won't agree) new direction!
An new take on a favorite of mine. Nicely done.
Such a sweet composition. Bouncy, but pretty serene at the same time; love it.
Wow- Nice! Love the texture
And the award for unique interpretation goes to... Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests) Awesome stuff man.
Interesting. I listened to the samples of those homemade instruments from the link you sent me...awesome stuff.
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
interesting piece
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
This is some crazy glichin' ride! Love that pulse beat!
DAMN. This one is bitchin/glitchin' -- Nailed it.
I think I'm starting to get the idea of glitching is... heheh nice.
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Gotta agree with mmi...genius indeed. I can't wait to hear the stuff you put out once you "learn it." :)
lovin' that glitch!
Comments made by Mr Sandbags
You're asking us? ;-) I like it, defies expectations but still musical.
Nice... nuther dose of Max/MSP goodness?
Great track.
Fabulous track that stands the test of time: great sounds, great feel.
Super vocals from m'partner. Yes I am sitting here in my silver jumpsuit.. what of it??
Lovely ambient.
The production went over my head but it sounds beautiful.
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
You're very wise Joe. I can recommend someone! :)
Great stuff again CG!
Fab. Could have listened to that for hours.
Fantastic. Really floated away on this piece.
Yeah, like this a lot. Your recent tracks have been great, really full of energy and fun!
Oh yes!
Wow this is chock full of funk goodness. Love the end.
Lovely laid back feel. Like it ;-)
Sister's nailed it!
Well that was a delightful slice of weirdness :)
Hypnotic with a disturbing edginess.
Cool. I actually rather like that the voice is indistinct. But I'm strange that way ;-)