Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
This is a very simple composition using two Elysium generators with an oscillator controlling the pulse count of the first and the offset of the second. Elysium is playing Kore 2's "Abendstern" instrument through a multi-compressor effect called…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
I thought I would try a slower piece so Rytme is running at 90BPM and I have introduced a density function that allows me to create sparser pieces.
MIDI from Rytme is going to a single track in Logic hosting Kontakt 3 with the Soniccouture…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
Okay so I enjoyed doing Glubotism1 enough that I thought I'd take a second crack at it. Same tools but took a different approach to how I used Stylus RMX and I introduced some of it's built-in effects on some of the parts. Also I bused RMX and…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.
A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
Having fun (finally) playing around with the riff for this tune by Howling Wolf, which is based on a song by Charley Patton and another by the Mississippi Sheiks and another by Tommy Johnson and so on ...
Had to listen to this twice. Amazing juxtaposition in the intro transforming into something cohesive before brutally ripping itself apart at the end. Powerful and somewhat unsettling!
Wow this is lovely Bruce. I'd really love to get a look at your Max setup and see how you work. Maybe you could do a "producer masterclass" video one day?
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
This track was my attempted submission for Ramen Music #001. I finally got around to uploading it here.
It was made using several instances of the Max for Live instrument "Loop Shifter" that I played in real-time using my Novation Launchpad…
This track was my attempted submission for Ramen Music #001. I finally got around to uploading it here.
It was made using several instances of the Max for Live instrument "Loop Shifter" that I played in real-time using my Novation Launchpad…
Recorded in 2009 for the RPM Challenge.
Joe Silence - flying slide guitars, tweaked beatbox, spastic echo torture and toy keyboard mutilation
This was recorded to cassette 4-track and then dumped to DAW for clean-up and mixing.
Despite the fact that boring scientists have proved that did not catch a rainbow, I still believe that it is possible at least to touch its iridescent tail, and then...
~For Molly and girls~
This is an older song and hey, you'll finally get to hear me sing badly! This was under my old name Piscean Dream so I couple of you may or may not have heard this before. Thanks for listening!
I am leaving this week for a while but couldnt resist adding as the third collaborator on this excellent track by Keith Landry and Osckilo before I go.
Added some bass,ambient stings, and of course sleigh bell
Hope you guys like it.
See you…
Comments on Mr Sandbags's stuff
Hrmm... where did my reverb tail get to...
you really got something good here, I love the sounds and the ambient you created
wow!
Love the sound, and love the way you achieved it!
Laid back feel and interesting sound design elements.
The kind of music that put my mind on somewhere that I feel that visited in person but I don't know where is .......
I love it!
you are a super class sound designer with these experiments. I'd love to incorporate your work in some future mixes.
Yeah this works for me too. Great while I'm working - it's really nice to concentrate to this.
You've hit on something special here.
Damn, this is Funky with a capital F. Had me getting freaky in my chair.
oh yeah! like the beat... Bom chk! Bom chk! --bp bp --bp bp
Another success, nice one.
Your happy morning is a joy to hear! I need to get more effects.
Thanks Sister, best comment evar!
Damn, you make me want to make a short film about beautiful oriental ladies, slighting young but highly over-reaching suitors.
I thought that was a real Kora for a while there. Nicely done!
think I might do another mix of this... keeping the integrity of this track this time.
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.
these Guzheng tracks are awesome. could listen to a series of these while writing/reading... good mood music.
Comments made by Mr Sandbags
Brilliant!
Like some kind of cosmic pinball game.
Had to listen to this twice. Amazing juxtaposition in the intro transforming into something cohesive before brutally ripping itself apart at the end. Powerful and somewhat unsettling!
Brings to mind the warding of evil spirits.
Very dark with threatening overtones. I like.
Wow this is lovely Bruce. I'd really love to get a look at your Max setup and see how you work. Maybe you could do a "producer masterclass" video one day?
Beautiful. Very moving Igor.
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
Well spotted Kirk, yes.
In my hands Loop Shifter is anything but subtle :)
Deliciously offbeat.
Like this.
That was quite a slice!
Strange, ethereal, and beautiful. Like finding the end of the rainbow in a carnival full of faded charms.
Rather like this one. Maybe you should sing more often!
That seemed to just fly past... hypnotic!
I like!
Great beat, enjoyed the jam. Wish I could figure improvFriday out it seems like you guys have such fun.
Oh I like this. Very unusual. I'd like to know more.
Great chilled number.