Another bach chorale in slow motion. This time whipped to stiff peaks with 8 bars of generic trappy beats.
To be continued or not, that's always the question…
The last 6 months, I've been sight reading a Bach Chorale each morning (there are 400 of em!) and occasionally one sticks out that I really like.
This one sounded great on the Wurlitzer, which is literally note for note playing the chorale…
The last 6 months, I've been sight reading a Bach Chorale each morning (there are 400 of em!) and occasionally one sticks out that I really like.
This one sounded great on the Wurlitzer, which is literally note for note playing the chorale…
The last 6 months, I've been sight reading a Bach Chorale each morning (there are 400 of em!) and occasionally one sticks out that I really like.
This one sounded great on the Wurlitzer, which is literally note for note playing the chorale…
The last 6 months, I've been sight reading a Bach Chorale each morning (there are 400 of em!) and occasionally one sticks out that I really like.
This one sounded great on the Wurlitzer, which is literally note for note playing the chorale…
Draft arrangement of a favorite song.
Wurlitzer, Moog Model D, Banjo and some Rodney advice.
Thanks to Almut, Mars, Floss for vocal chorus help and Markus for the beautiful scratchy baroque violin.
I don't wanna go
down to the end of the rainbow.
I could say what I wanted to say now.
I could play what I wanted to play now.
I could take what I wanted to take now.
Of all the above.
Draft of first two sections...
---
There's no way out of here
that I can see.
There's no need to fight in here.
Nobody wins.
Why do you want it so bad?
Very cool. Whatever you are doing I want to do too. The blending of voice/words/instruments. Almost subliminal! Very dreamy. The way we actually hear the voices around us or even ourselves.
Draft of first two sections...
---
There's no way out of here
that I can see.
There's no need to fight in here.
Nobody wins.
Why do you want it so bad?
Draft of first two sections...
---
There's no way out of here
that I can see.
There's no need to fight in here.
Nobody wins.
Why do you want it so bad?
Draft arrangement of a favorite song.
Wurlitzer, Moog Model D, Banjo and some Rodney advice.
Thanks to Almut, Mars, Floss for vocal chorus help and Markus for the beautiful scratchy baroque violin.
Draft arrangement of a favorite song.
Wurlitzer, Moog Model D, Banjo and some Rodney advice.
Thanks to Almut, Mars, Floss for vocal chorus help and Markus for the beautiful scratchy baroque violin.
Draft arrangement of a favorite song.
Wurlitzer, Moog Model D, Banjo and some Rodney advice.
Thanks to Almut, Mars, Floss for vocal chorus help and Markus for the beautiful scratchy baroque violin.
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
A jarring Elysium composition, structurally similar to Komposition-1 but using the Kore 2 instruments "Boesen Buddy" and "Trembling strings" played simultaneously. I think I was also using an osciallator to control note velocity. I need more flexibility…
The first bioelectrophilia track since returning to the US. This song was made with only 2 saki monkey vocalizations. Note the beginning of the song which demonstrates how one vocalization was turned into part of the percussion.
Woah, the dive and cut of the vocalization is awesome....then, the sweet entrance of the full beat...wooo! +1 for tunes that decompose/recompose and teach us how they are built.
This series is a definite hit!
This is a pre-release of a song from my new album. The song still needs some polish and rubbing. I will change it out once i get done with the final version. The lyric was written a long time ago, of what could or couldn't have been:) Thats the…
This song is going to be the intro to my debut album. I wanted choose to make a beat that would't be the norm in Hip Hop.This beat was the result and everything else just fit. This song is all about BECOMING somthing even though friend or foe…
Got into a bit of a mess recently and, well, this is me not doing anything about it (except sitting here and recording this, eh). I really need an acoustic with pickups.
this song is about entering the space of friends, brothers, loved ones.... it's about entering their sadness, their joy, their pain. Journeying along side those I love and finding out that so often I fall so short. This song is about the letting…
this song is about entering the space of friends, brothers, loved ones.... it's about entering their sadness, their joy, their pain. Journeying along side those I love and finding out that so often I fall so short. This song is about the letting…
The title comes from reading "The Willows in Winter" to my son Maurice, which is the sequel to "The Wind in The Willows" and thinking of Toad and the sort of idyllic natural landscape. While messing around in Logic, I ended up creating a "Drag…
This song made a little splash in the New Music blogosphere back in July 2008. With possibly the first diss rap directed at modern chamber music groups, Hybrid Groove Project (that's DJ Dubble8 and new music saxophonist Brian Sacawa) brought some…
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8!
My absolute favorite line: "Sound original? Nope!
We’re putting new dope twists on licks that Philip Glass wrote."
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
Comments on Sudara's stuff
Oh no, it’s lacking the resolution at the end!! You scoundrel
Damn, I wish we could send this back in time to Bach! :)
Lovely sound.
What a brilliant idea!!!! I may have to try that as well.... I love how this sounds... very misty and ethereal.
Very cool
Very soothing
It's a really cool song - why am I only really realising it now??
I love this song!
This is hauntingly beautiful.
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
Love this.
😀
There you go again. This begins a new phase in my production. Probing the almost...
Very cool. Whatever you are doing I want to do too. The blending of voice/words/instruments. Almost subliminal! Very dreamy. The way we actually hear the voices around us or even ourselves.
Jack boots & Harmony!
Love the dreamy melting vox
Nice work!
More 6:00+ tracks pleaz!
Super!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
Comments made by Sudara
"Jesus has had his weetabix!!" Awesome tune, i love the way it rolls.
This one is my favorite from your first three uploads
Woah, the dive and cut of the vocalization is awesome....then, the sweet entrance of the full beat...wooo! +1 for tunes that decompose/recompose and teach us how they are built. This series is a definite hit!
Wow, this one managed to slip by me a month ago. Good work.
Amazing mix of sounds, I keep being surprised. Quirky and poppy and oh my.
This one stopped me. Resonated with me.
Very very nice playing. That guitar sure sings!
This beat is great - drives you really well. Down with the norm, up with real people.
Pretty, with a side of melancholy. Love the metronome, it makes the tune for me.
Ok, more like two hours! over and over...
I just sat here and listened to your music for a good hour. Wonderful stuff, Anthony.
I agree with ACL. Short and very sweet.
Really enjoying the active Piano in this one, it rocks out at 7:10!
This is great. Chilled out and well recorded!
Nice, Skidoo, this is some clean and relaxing playing.
Man, this one clicks for me.
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8! My absolute favorite line: "Sound original? Nope! We’re putting new dope twists on licks that Philip Glass wrote."
Ooooh, I love the wah and distortion on this one, freaking awesome.
Sweeet, great opener for this album, man.
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)