Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Chris,, this is great,, i listened once and now with the video.... wow....this has a very cool feel....you have a wonderful talent, that has been making some amazing music R
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
the theory of Bed Henkings posted in the AT forum at the request of coelocanth
http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
Comments on vaisvil's stuff
Does that sax have a velocity sensor? When you blow hard..is it loud?
I'd have fun with that midi sax. Awesome song. Love the video too.
Ha! Forget The 61 - this is awesome. It's great to see you play too. More tastey Vaisvil guitar goodness!
quite dreamy, both the tune and the video. didn't know you were a sax player as well..
Oh! And awesome video! Check it out!
Sounds like a soundtrack to self-realisation/resolution, very cool.
Chris,, this is great,, i listened once and now with the video.... wow....this has a very cool feel....you have a wonderful talent, that has been making some amazing music R
I like it!!
Oh, yeah, fun.
I agree! Smooookin'!
Really nice, dreamy composition, but too short!
Nice one!
Pretty snappy beat. Very well done. It really is a clean mix. Sounds great.
ok i just read the about section, now i get it more R
interesting...i'll have to look up the ms2k and gr-20 to know what going on/being done..
This makes me want to puff the magic dragon!
Wondersounds!
Medieval with a twist. Cool! w;-)
Wow! I really like your style. Great instrumental work. johnbee.
wow, cool track I like this one.. still pondering just how deep the variety of your stuff is. . Is there a genre yet unturned?????
Comments made by vaisvil
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!
nice ambient!!
nice ambient!!
this is Romanian reggae?
the theory of Bed Henkings posted in the AT forum at the request of coelocanth http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
I feel like I'm a beatnik scene with a scanner - very odd vibes - nice!!