A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
http://en.wikipedia.org/wiki/Antiprotonic_helium
Tuning:
Harmonic six-star, group A, from Fokker
16/15 6/5 32/25 4/3 3/2 8/5 48/25 2/1
A string composition played on Fender Mustang driving a Roland GR-20 that was re-tuned on the fly
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Hello guest (75.27.136.221)
I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
That's dark. Great ending...
It was only a matter of time... it pleases me that you are releasing your inner percussionist.
Love the street drumming busker!
Good for you! Be careful with such an addicting piece of gear!
loving it Chris .."......
I like it guys. pretty kreepy though. lol.
epic guys. . :)
ahhh the good ole marshmallow laws :)
Nice one mate very cool.
Very trippy
always vaisvils me inward-outwardly
Excellent trippy video got lost in the running water enjoyed the mashup
Basking in this...!
crazy cool !
wonderful......
Hello guest (75.27.136.221) I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
My (under-educated) ear finds this piece very instructional. Neat.
and the fairies came out although it was not yet dusk"...........
Comments made by vaisvil
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!
nice ambient!!
nice ambient!!