Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Reg has got a kinda Bluesy political thing going on this one.....he's been reading the paper and watching the news..........it's a little too long but i think he makes a point.......do you?
Two ambient guitar tracks recorded independently and stick together. I broke my rule of not using distortion on a BL piece, for the first time, believe it or no.
I'm not on top of it as usual, guys. But I did manage to let Greg Brady out of my basement and set him free. This is his testimonial regarding the incident. I hope he can forgive me.
Once upon a rainy day, we were out in the farm fields waiting on the sun to break through the gloom. We arrived in this dark world naked and were washed clean waiting for the sun. Little darling, here it comes...
This is the first demo [Sister Savage](http://alonetone.com/sistersavage) and I have made for our RPM 2011 album.
Although I've uploaded a copy here we'd be really grateful if you would listen to the [version uploaded by Sister](http://alonetone…
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
Along with her magnificent harmonizing vocal tracks, Inge sent me one track which was crashed by her 2-year old son Willem. He pretty much takes over the whole operation at about 3:00.
In the background you can hear the original rough vocals…
I Got the Idea for this tune when I left Geir at Stanstead Airport.
Recorded it Last night after a Gig....
For the Folk Fest...
Pretty PennyWords and Music by Tharek Mokbul
-Lyrics-
Pretty Pennies sing about the troubles in the way.
Tells…
Comments on vaisvil's stuff
F$%K it this is excellent
nice coming back to this...such a mind blowing goody man!
Wow.
indeed.....vibrant and smooth,, the sax is interesting and a bit coy... forget like,, I love it
A blast from the past. Still sounds great, Chris.
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
agree with Kirk, this is my 3rd listen here and at IF. Like the spare arrangement and the backward cymbals. The comic brings back a memory, too.
Very cool piece of work!
A unique sound from possibly one of the most unique new collab talent mixes I have heard for a while.
Very nice man! dig it!
Excellent!!!
To quote Dorthy Parker: "That poor SOB". Strong work Chris!
Comments made by vaisvil
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
funky indeed!!
cool reg!
yes I do. Nice piece!
this sounds fantastic!
I know you've seen this somewhere before - but it bares repeating. This is a really nice piece - excellent improvisation!!!
this is so *strange*
I expected Beatles - boy was I surprised!! This is a wonderful bright, bubbly pop song - almost Beach Boys - but really good and modern!
nicely done - I enjoyed listening and especially the climax at 3' as pointed out.
very nice!
like I need to be encouraged!
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
like the indie vibe on this one!
beautiful piece!
nice jazzy number!
I love Inge's voice! - so rich. BTW - what guitar do you play - it sounds quite nice. A very good tune you both put together here.
I love your voice in this. Reminiscent of Gordon Lightfoot.
this is quite good. could I write music for it?
this is a great combination!!
interesting piece!