Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
When I hear you play like this, there is a big part of me that believes this world would be a better place if you threw everything on the fire and sat at your piano all day.
Your friends are very fortunate. Personally, I'm glad that I brought a basket large enough to hold this gem.
Thanks.
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
One of my fave ever AT tracks (for what it's worth). This is what this site is all about - a total gem, just given away for the fun, and the joy of it.
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
the theory of Bed Henkings posted in the AT forum at the request of coelocanth
http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
Comments on vaisvil's stuff
I love this one.
Hi Chris, this is very good, Pink Panther smooth sax, nice bass and great mood.
Wow, very clever! These challenges sound like amazing fun!
wonderful feeling in the sax,, i really liked the second reading of the poem,, what a great contrast to the first,, this works well
very fine,, very well done,,,,poetry
I love this!!
Really Beautiful!
Sweet.
This is definitely a thing of beauty. What a lucky friend. I agree with Norm Burn it all and sit and play the piano
When I hear you play like this, there is a big part of me that believes this world would be a better place if you threw everything on the fire and sat at your piano all day. Your friends are very fortunate. Personally, I'm glad that I brought a basket large enough to hold this gem. Thanks.
Pure Jimi Hendrix!
Very Alienated Amp raced guitar pullout sound, very raw! i like like!
Careful subtlety! Perfect!
One of my fave ever AT tracks (for what it's worth). This is what this site is all about - a total gem, just given away for the fun, and the joy of it.
Pretty cute and cuddly though. Plays a fair piano too!
"...so evil will befall them," said a witch named Alisia. She identified herself with one name — customary among Romania's witches. Love that.
This cooks. Your cat ran away to Romania to become a familiar.
Hey I used to have the same microkorg....nice piece vaisvil!!
...minimalista, baby!!
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
Comments made by vaisvil
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!
nice ambient!!
nice ambient!!
this is Romanian reggae?
the theory of Bed Henkings posted in the AT forum at the request of coelocanth http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
I feel like I'm a beatnik scene with a scanner - very odd vibes - nice!!