Way to push the envelope, Chris! Very nice work.

I just LOVE that fretless guitar!

very cool, i really like all the different approaches you are taking to music making,,it's giving me a lot to think on

Well done. Fascinating description of your process!

That's some ear bending stuff!

very interesting

quite dramatic, it's a very symphonic like sound,, i enjoyed this

You make that Roland sound like an entire symphony! Sis is right, quite menacing.

Wonderful cinematic sounds! Internal sounds from the GR20 or using it to send midi?

Very unsettling! Powerful stuff, sounds kinda like a horror movie soundtrack.

Pretty cool, WIP or otherwise!

considering it still is in wip stage, this rocks!! poor girl, i feel sorry for her..

very interesting and offbeat in a good way.

Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)

soooooo koool awesomely jamtastic

Good one.

Sweetness!

Brian sets an irresistible trap for catching some wild Vaisvil saxamaphone. Well done!

love it guys. Norm the symbol crashes are perfect

I knew you wouldn't be able to resist :-)

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?