Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
I think you have aptly named this track.
Tremendous atmosphere here. Love the spell casting
in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
For Debbie, written (just) before I met her.
Reaching Out For You
I've been trying
Crying
Reaching out for you
It never is enough
I never do get through
My heart is true
My heart is meant for you
I've been crying
Trying
Reaching…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
wow...immediatley thought of Iron Butterfly / Blue Cheer ish..alot of sound...guitar tone is absolutley killer...that wide delay...sounds like 3 hippees jamming...insence and lava lamps
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
Excellent production. Lots going on here... going in for another listen.
Out of chaos comes order .......great sounds.
Groovy. Starts off like an old delta blues!
I agree with Norm BEautiful....
This is beautiful, Chris.
Ah, all the right questions! Hypnotic music and plaintive vocals.
Lovely jam you had there with yourself!
Sort of sitting on the porch, watching the sun going down and appreciating life type music.
I think you have aptly named this track. Tremendous atmosphere here. Love the spell casting in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Oh that's lovely!
This is a really great song.
This has a great vibe, I like it a lot!
dig the hard vocals on a nice magnolia melody!
floppy arrangement on both ends, cool!
Wow! Awesome!
Wicked cool set up you built there! Diggin this track too!
Cool vocal effects.
Solid. Love the bass.
more comments...4 minutes in and this is really over-the-top...just riding that wave os sustain...love it!
wow...immediatley thought of Iron Butterfly / Blue Cheer ish..alot of sound...guitar tone is absolutley killer...that wide delay...sounds like 3 hippees jamming...insence and lava lamps
Comments made by vaisvil
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.