A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
This is an loop station improvisation with my death metal strung up strat (low B - effectively a baritone guitar - which I did see one at Guitar Center a couple weeks ago) with some layered synths afterward.
Hopefully you'll find it as…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
What a creepy bastard JD was. Good thing they got rid of him in jail. Goes to show you, looks are deceiving. Sad to think humans used to eat one another all the time. Nature can be such an ugly b!tch. A documentary on him said he ate people because he wanted to keep them close, so they would never leave.
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
Comments on vaisvil's stuff
Woah, awesome percussion - this has some guts! Epic underpinnings! Clever vocals interweaven into a powerful soundscape! A masterpiece!
Lovely!
some really nice guitar phrasing in this.
ahhhh so so nice ., very well done. we need to collaborate on something at some point with soft guitar work like this looped through the piece :)
interesting tones,,great use of GPO, very nice sound quality,,
What a creepy bastard JD was. Good thing they got rid of him in jail. Goes to show you, looks are deceiving. Sad to think humans used to eat one another all the time. Nature can be such an ugly b!tch. A documentary on him said he ate people because he wanted to keep them close, so they would never leave.
Such a harmless looking beast....
Terrific! I like the bits that start at 1:30 or so. Cymbals are perfect.
goodness this is pretty, gravity is everywhere. so I have found ...
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
Love the Eastern flavours you're cooking with more and more these days - great stuff from El Norm also.
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
Hypnotic! Wow!! Captured some real power here!
Love this riff - not sure which I prefer, I think the other has the edge...but love the extra improvised bits here.
Totally original - great effect with the mandolin!
Woah, did I? Go me! This is magical - tranquil and mystical with a sting in the tail.
Back for another visit loving this
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
7/8 = awesome pick for this song.
Excellent! Percussion is top notch!
Comments made by vaisvil
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!