I'm surprised I forgot to post this collaboration with Norm and Char.
Char performs the reading
Norm performs the percussion
Chris did choir, sax, bass, FXs
Poem - Edgar Allen Poe
Annabel Lee
It was many and many a year ago…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Well, I finally got my hands on a 17 note per octave electric guitar thanks for Brad Smith, a local Luthier who did a lovely conversion of a Jay Turser strat copy I bought at the local Guitar Center for $65. The guitar is nicely very bright…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
epic 20 min recording. Anyone who played in the 80's can see though the familiar low-fi tape contribution. Its almost, nostalgically better in a way...love the change ups at 5:20 - 6:10 etc.
I'm surprised I forgot to post this collaboration with Norm and Char.
Char performs the reading
Norm performs the percussion
Chris did choir, sax, bass, FXs
Poem - Edgar Allen Poe
Annabel Lee
It was many and many a year ago…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Oh well recited. I thought it may have to compete with the band but no, that was great!
Such a pleasing tone!
Most interesting, different and well played.
That's so cool, and great tone! I want more notes too!
Oh boy. Don't forget to eat & sleep once in a while. I can't wait to hear what you come up with on this thing...
Interesting. I'd love to have a go at one of those myself
where do we start?. Have you something in mind?
I'd love to.
nice! and such a comfy sounding tuning.
Nice intro-45 seconds-nice! Simply great~
Wild.
epic 20 min recording. Anyone who played in the 80's can see though the familiar low-fi tape contribution. Its almost, nostalgically better in a way...love the change ups at 5:20 - 6:10 etc.
Percussion is Ace! love the harmonies that follow.
My favorite parts are when you drop back into 6/8 meter like at 20 mins.
*holds up lit lighter* You + Mike = always great.
That vocal sounds like your playing it on the guitar excellent
Oh yeah, I dig it, bro! I love the intelligence you put into your tracks.
sweet guitar work vaisvil!
One of those "wow wish I'd done that" tunes. Excellent guitar work and conception!
Wow- great piece of work. Love that processed vocal!
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.