I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily.
The dialog by William Newbold…
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
Lovely shades of blue. :)
*agree with Norm* *on most things* This is like your favourite bag of nuts.
I don't understand it but I like it. Thanks once again for pushing the envelope for me.
nice jam!
Is there an instrument you don't play? this is great!
nice!
Great, big, edgy perc! Very crunchy!
Beautiful.
Yes, I had never heard of that either. Well done!
Nice, very Bush of Ghosts sounding. Interesting comment, I was not aware. Kavin./Breaking Light/Coelocanth
I'm improv all the time except for a few riffs sometimes here and there.
That was wacky. However, I do get along with the sky people.
Spellbinding!! A Wizard with water....... Awesome arrangement.
Brilliant production!
Like dripping water trough a back cave...mysterious sounds!
Great sounds!
Psycho-delicious!
Holy haunted aquariums! This is scary and pretty AT THE SAME TIME.
i really enjoy your work,,,this is a very fine sound land, a treat for my ears and more
Video dare I say? there are images here I used in the words possibly "killing for peace" like concept.
Comments made by vaisvil
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.