This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
all guitar (except percs) one way or another
"I think our whole society is run by insane people, for insane objects, for insane objectives," Lennon once said.
all guitar (except percs) one way or another
"I think our whole society is run by insane people, for insane objects, for insane objectives," Lennon once said.
I don’t feel it’s sane or insane, people have both aspects from time to time...
It’s how we treat each other in kindness and love or the opposite,.. and IMO people who hurt people have been hurt themselves,.. to break the propagation of hurt and accept people where they are turning cheeks and offering help/friendship is, to stop the hurt
One common pattern she noted was that when her father, Felix, used pronouns such as it and this, they didn’t clearly refer to anything. One time he said, “I want to pull these down to earth somehow … I really don’t know … no more earth binding…
The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
"I knew the speech very well," the president said, according to Fox News. "So I was able to do without a teleprompter, but the teleprompter did go out and it was actually hard to look at anyway because [there] was rain all over it."
I once again try to become a 5 piece band. For all of those we love, future, present, and past.
Live with the dead (x4)
Before they are gone
And there is times
that I reach out for you
turn away
and you you're gone...
Life is fleeting…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
ok was that a physical change to your voice or by electrons the higher chipmunk like voice?
This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
this is so so well played I like it.
Fassbender
Funky crazy people.
I don’t feel it’s sane or insane, people have both aspects from time to time... It’s how we treat each other in kindness and love or the opposite,.. and IMO people who hurt people have been hurt themselves,.. to break the propagation of hurt and accept people where they are turning cheeks and offering help/friendship is, to stop the hurt
definite Fripp infused here. Takes me back to Wind on Water I think.
19 and modern color but 300 years ago in emotion and feeling!
Once I was chicken and I had to get to the other side of the road, because I had gone everywhere on this side of the road.
I just listened to the two korg songs impressive how much post processing was there?
you do this well is there much stress from the --- I guess being sync with everything?
in space... there is no up or down.. (just saying)
The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
world calamity!
great work | here...
minute four has great deep notes... nice.
thanks Chris.. neat song. . ---
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
Cool retro vibe - you sound like a doorsy rogue!
this is really cool. I like how it becomes increasingly fractured and eventually comes back together. There's a nice lil journey going on in here.
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?