This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Enjoying these pieces of yours in alternate tunings. Some of this reminds me of early blues recordings where certain notes were played "out of tune" because that's the way the players heard those notes. Cool stuff!
This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…
Strange to say....for some reason i can picture that little squirrel paddling off into battle.......fog in the distance...a small furry furrowed brow....with vengence in his eyes...;)
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
Thanks once again for stretching my ear's ability to appreciate alternate tunings. You have always been on the cutting edge of this aspect of music. A rare perspective indeed, and, in contrast to the blue dwarf, fully marvelous.
Enjoying these pieces of yours in alternate tunings. Some of this reminds me of early blues recordings where certain notes were played "out of tune" because that's the way the players heard those notes. Cool stuff!
Weirdy stuff, I like the use of the choir, inspired touch! No, I think you are ok, I just found something belonging to you!
There's a real warmth to this - an unsettling warmth. Some of the runs remind me of church bells. Very clever.
Out there, but very interesting!
Woah, potent stuff!!!!!!!!!
Bizarre, yet Cool tune, I like the background vocals, This sounds like this could have originally been a MIDI track with new/diff samples inserted
Extremely creative! rough vikings oh yea it's the squirrel haha...what a battle!
with a viking hat....a tiny one....
Strange to say....for some reason i can picture that little squirrel paddling off into battle.......fog in the distance...a small furry furrowed brow....with vengence in his eyes...;)
Wild mechanistic nightmare with a Magma choir!
Ecumenically enchanting.
I love this, it's wonderful.
With a title like that who could resist! Great improv!
Very Nice!
Spooky AND uplifting! !
Sweet.
Smooth. Love the bass.
Good one! Very nice improv.
MIGHTY! Great title, great pic - sounds like a Bond movie but with elephants involved! Very clever.
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?