what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
I Ate My Xanadu
ADDENDUM TO THE INCIDENT REPORT
It’s burning.
Nothing else matters.
Nothing.
It’s burning and I love it.
It’s so clear
what is illusion and what is real.
I love the clarity.
I could drink it.
I could eat it.
I could…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Reg has got a kinda Bluesy political thing going on this one.....he's been reading the paper and watching the news..........it's a little too long but i think he makes a point.......do you?
Two ambient guitar tracks recorded independently and stick together. I broke my rule of not using distortion on a BL piece, for the first time, believe it or no.
I'm not on top of it as usual, guys. But I did manage to let Greg Brady out of my basement and set him free. This is his testimonial regarding the incident. I hope he can forgive me.
Once upon a rainy day, we were out in the farm fields waiting on the sun to break through the gloom. We arrived in this dark world naked and were washed clean waiting for the sun. Little darling, here it comes...
This is the first demo [Sister Savage](http://alonetone.com/sistersavage) and I have made for our RPM 2011 album.
Although I've uploaded a copy here we'd be really grateful if you would listen to the [version uploaded by Sister](http://alonetone…
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
Along with her magnificent harmonizing vocal tracks, Inge sent me one track which was crashed by her 2-year old son Willem. He pretty much takes over the whole operation at about 3:00.
In the background you can hear the original rough vocals…
I Got the Idea for this tune when I left Geir at Stanstead Airport.
Recorded it Last night after a Gig....
For the Folk Fest...
Pretty PennyWords and Music by Tharek Mokbul
-Lyrics-
Pretty Pennies sing about the troubles in the way.
Tells…
Comments on vaisvil's stuff
Wild stuff! Great job guys!
Exciting collab! Very intriguing piece!
haha
gotta luv Blago!
This is awesome!
This is trippy good. Like Santana in a blender.
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
This is destined to be my attorney's favorite song: his name is Bob Lawblahb; yes the founder of Bob Lawblahb Law. Great collab, guys!
Ending was fun. Well worth every minute.
I was on for both of these uploads. Less than 2 hours apart. That's freakin' amazing.
Man, that was quick. I've never seen such a thing. OUTRAGEOUS!!!!
Words are one thing, music another, put them together, and whamo. Art.
I might need to use this. Would you mind??
Looks like an El Camino. Sounds like it didn't have an air bag.
Great music!
Loving the music - powerful words.
I love where you took this one. Beautiful.
very very good done vaisvil!
Whew! Well formed and very creative. I expect nothing less from you Sir.
such a good track! I dont know if its coincidence or if I am influenced by the picture of George, but it has The Beatles touch... wich is so very good
Comments made by vaisvil
I see you've taken up body levitation as evidenced by your avatar picture. :-)
your new avatar is freaky!
very cool sound - I like this piece quite a bit!
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
funky indeed!!
cool reg!
yes I do. Nice piece!
this sounds fantastic!
I know you've seen this somewhere before - but it bares repeating. This is a really nice piece - excellent improvisation!!!
this is so *strange*
I expected Beatles - boy was I surprised!! This is a wonderful bright, bubbly pop song - almost Beach Boys - but really good and modern!
nicely done - I enjoyed listening and especially the climax at 3' as pointed out.
very nice!
like I need to be encouraged!
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
like the indie vibe on this one!
beautiful piece!
nice jazzy number!
I love Inge's voice! - so rich. BTW - what guitar do you play - it sounds quite nice. A very good tune you both put together here.
I love your voice in this. Reminiscent of Gordon Lightfoot.