This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
Year: 2008
Album:
Singles
Artist's description:
Many years ago a brave soul uploaded several recordings of his sister's recital to a newsgroup I created for amateur musicians. I asked for, and he gave, permission to use the recordings. Well…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
the theory of Bed Henkings posted in the AT forum at the request of coelocanth
http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
Caveat emptor: I did absolutely none of the drumming in this piece.
ANOTHER WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey delighted me with another visit this evening. He played "Aju" - all 5 tracks…
This is so complex rhythmically that I don't know *how* to play along. I'm not sure if one should - it stands on its own - wow. This is a lesson here. Please send Alex my regards for his skill and sharing his cultural heritage.
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
Thanks for the listen and comment! Well, no, I was a short haired old man when that solo happened (anyone over 29 is old of course). I don't know what PiL means.
Comments on vaisvil's stuff
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Damn, that's awesome man. Rockin tune...
Complex and cool.
ahh, yes, very tempted! JRR
very cool.... is that a subway escalator?
A classic. Post the lyrics! Perhaps you can convince Din to post a few things on AT... his percussion & mix mastering really are world class.
so cool and fun
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
great...bring on the desecration... thank you for the comment on my song...
so cool and fun!
Comments made by vaisvil
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!
nice ambient!!
nice ambient!!
this is Romanian reggae?
the theory of Bed Henkings posted in the AT forum at the request of coelocanth http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings
I feel like I'm a beatnik scene with a scanner - very odd vibes - nice!!
This is so complex rhythmically that I don't know *how* to play along. I'm not sure if one should - it stands on its own - wow. This is a lesson here. Please send Alex my regards for his skill and sharing his cultural heritage.
wow! this weird! in the best way!! Is that your guitar beating away?
This was one of the better collaboration experiences I have had - I really like what we ended up with.
Thanks for the listen and comment! Well, no, I was a short haired old man when that solo happened (anyone over 29 is old of course). I don't know what PiL means.
love this video!
excellent! I love the percs and the mix of elements in this!
cool piece!
Nice and smooth.