A field recording of an improvisation on a baby grand incongruously placed between an entrance and coffee hut via my phone. My good friend Jim Goodin converted the AIFF I emailed him and he posted it for me. Thanks Jim!
Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
That's really rather effective. Not easy-listening, but moving.
Excellent Chris....
You can play while I cook too......
a hah! a piano ......I must play....I must.........and you do it so well.....Coffee?
In memory of poor old Lou.........
Ohhh Wowww! Chris that's wonderful. I think I will have to come and stay. You can play while I cook! Cheers Bee
That must be the big one! Very depthy! I like the contrasting tinkling chimes, lovely. Cheers Bethan
Celestrial. Very respectable for an improv. I'm not generally into brass, but you made it work for me here.
The piano is obviously out of tune, but somehow your arranged notes upon it really works for me -- too groovy. Great composition, great job. Rock on!
it is quite grand and majestically poignant - I think it is the tone or tuneless like workings that cause the sadness...
fair play then mate, its a decent tune all the same :)
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
its a good song, i like the lyrics. It sounds like singing in a lower octave would have done you a few favours tho
Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Rock on!
Love this song!
I've heard many covers of this one but never on piano, this is lovely. Well done.
I've always loved this song - not sure why, though... I don't actually really "like" it! lol This is a fine version. Nice one.
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!