Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song written by Pete Seeger in the late 1950s. The lyrics were adapted almost entirely from verses in the Book of Ecclesiastes, set to music…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it?
I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
One of my faves.
Actually, like beautiful, chiming bells!
Hi Chris, Yes, I think it does too. I really like the harmonies or ics. You see, you are far too clever for me. Cheers Bee
Really like the overlapping vox harmonies here. Bass just right too
Nice and relaxing Chris. A pleasure of a listen. Cheers Bee
Wow! That was a trip and a half! marvelously put together. The swishing sound in the background there reminds me of the foetal heart. Cheers Bee
Enjoyed that.
Like it. Don't know the original, but I like this.
Good one Chris.....
Nice ......now here comes the rain
Beautiful
and these types of music, can resolve sometimes easier then at first thought, well done here.
Good one.
Awe, that's lovely Chris! Good title! Bethan
Woo!! brave man taking this on with just acoustic and vocal. Hats off to you, sir. Nice one, like it.
I like your vocal Chris don't be so hard on yourself....ienjoyed.....
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
I heard this on the radio just the other day. ;) Sorry, I jest. Nice piano tone. Is it a real Rhodes or synthesized?
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it? I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
that's rather nice vais, a bubble & squeak of free jazz
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!