Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song written by Pete Seeger in the late 1950s. The lyrics were adapted almost entirely from verses in the Book of Ecclesiastes, set to music…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
it is quite grand and majestically poignant - I think it is the tone or tuneless like workings that cause the sadness...
fair play then mate, its a decent tune all the same :)
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
its a good song, i like the lyrics. It sounds like singing in a lower octave would have done you a few favours tho
Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Rock on!
Love this song!
I've heard many covers of this one but never on piano, this is lovely. Well done.
I've always loved this song - not sure why, though... I don't actually really "like" it! lol This is a fine version. Nice one.
One of my faves.
Actually, like beautiful, chiming bells!
Hi Chris, Yes, I think it does too. I really like the harmonies or ics. You see, you are far too clever for me. Cheers Bee
Really like the overlapping vox harmonies here. Bass just right too
Nice and relaxing Chris. A pleasure of a listen. Cheers Bee
Wow! That was a trip and a half! marvelously put together. The swishing sound in the background there reminds me of the foetal heart. Cheers Bee
Enjoyed that.
Like it. Don't know the original, but I like this.
Good one Chris.....
Comments made by vaisvil
I like this! Is this then playing back a single phrase multiple ways?
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.