There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
Ten Years After cover performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Cool high-energy take w/ plenty of guitar solos. Decent…
This is the first of two demo's I made to consolidate my ideas about an album that I am working on for the Clinical Archives netlabel. The piece is fully improvised.
I am recording two albums for Clinical Archives, the first is to be released…
Comments on vaisvil's stuff
There's nothing like a good cup of coffee,and a song climbing through the blooming trees and raising on up beyond the sky,tipping it's hat to say good-by.
Beautiful. It's as if the experience of flying is at hand.
Best I am the Walrus cover I've ever heard :)
Nice one well done.
and the Walrus was Paul. Good fun.
More bullhorn!
Totaly dig the Harpsichord! Cool version of this classic tune...Well done!
Enjoyed this Chris....Bravo...
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Nice build, I have no idea how this cool pad is built. I was playing along on electric guitar . Huge open sounds! Ilove this one. Steve
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Comments made by vaisvil
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Excellent!!
rock n roll!!!
very cool track!
alright!!! great work as usual!!
oh yes this is lovely.
excellent!
I think I like this one the best out of the bunch - especially during the choir.
crazy trip through a negative universe!
truly wild excesses of sound!
I really like this!!
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
Great composition!
excellent!
excellent!! I love this kind of music!
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
very spooky indeed! nice composition
great!
most excellent sir!! most excellent!
love it!