Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
A very slow piece built by two different synth sequences inspired from trial/error development/build of an electrical synth circuit I began in late 2023 created by Moritz Klein. I have recently after several attempts gotten it to work to the…
something made in thumbjam -0- I had deleted all the saved songs from my thumbjam memory and reinstalled thumbjam 000 it was occupying about 15 gigs of space for the music I had already downloaded 000 this is a fresh start ,.. I may have to reinstall…
I'm working on a new album of electronic pieces with modular synths and Pure Data and possibly some electro-acoustic, electro mechanical. This one will be in the mix.
It was a few strange April days in our little town of Bad Münder. The sky was low and completely filled (with clouds?), and a yellowish light spread as if from below, and from everywhere. Irene had said at the time that it must have been the wind…
Reg was sat below the cliff having a sneaky smoke and he couldn't believe what he was witnessing ......I recorded the acoustic with the mic then added bass then a bit of piano and string then the tele then I decided what the subject would be and…
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
Inspiration was seeing Kavin Allenson's pictures from his jam in the Fort Worth sculpture Vortex. I wasn't going to do in Pure Data but I opened PD to setup a base structure of oscillators to use to tune one of my modules. I got a stuck note…
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
from the album "FULL MINGO"
vocals Ash Reynolds
mastering Dave Storms
pain in my heart
it's probably nothing
song in my head
it's time to say something
living this life
it's got to be all
the time
chasing the dream
and i'm always…
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
Impressive that you built the circuit by trail and error - beside the evocative music you've created!
this is cool! I like the mix of classical and electronic here!
this is a wonderful study in contrasts - I am looking forward to your album - the opening theme is quite an ear worm!
WIld! Strange synchronicity emerges!
very excellent work! Thank you for sharing!
Nice narration Brit! The Dobro is a nice accompaniment for the vibe of the book.
cool work Kavin! - I like the feedback especially!
This is great!
Nice one!
One of your best compositions. It’s a strangely compelling story with the protagonist worthy of a Darwin Award.
Quite like this! - has such a nice sense of space and clear timbre definition.
I really liked this - the female voice really hit home - nice jam! Is she the passerby?
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
lofi and exotic - what not to like?
Another great piece!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
nice work Kavin!
This is a really nice composition!
sweet ambiance
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !