This is mighty and majestically a pompous circumstancish explosion of sound pure quality in the orchestration and creation => loving it. The abstract theory of its manifestation is beyond comparison. Just awe simple obliterated awe.
reminded me of the torture of the press sheds at the brickyards where I worked as a younger man ......thank got that's over and one with and only a faint memory....the brickyards that is and not the music
This is a recording from my i phone off my back deck at home in Mill Valley tonight. Everyone howls at 8 pm for 1 minute in solidarity for the healthcare providers during this pandemic with COVID 19. its been going on for over 2 weeks now…
Ukulele and vocals performed by Jazz, 12.
She's starting to write her own stuff (proud!) but just to get her in the studio for the first time, here is a cover of a song by Vance Joy.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
Comments on vaisvil's stuff
interesting,, is this a standard tuning?
That ending is way cool!
Very cool and unexpected ending!
Very playful indeed!
i was interrupted, when i listened before, it is a pretty cool loop
sweet. very .. most sweet.
This is mighty and majestically a pompous circumstancish explosion of sound pure quality in the orchestration and creation => loving it. The abstract theory of its manifestation is beyond comparison. Just awe simple obliterated awe.
after three mistakes in a trombone solo I had in high school I decided it was all jazz.. :)
Love the spread on the notes.
at the 1:35 min i set along side the Arp/Beat...Coo1!!!!
I couldn't spot one, let alone 3.
Very nice guitar looping as well.
Damn! We could have used this for the halloween MEGA Track!
interesting sound
i love this tune
Very interesting!
Sweet! How did i miss this?
Woah, pretty dark sounds! Haunted mineshaft!
lovely photo......
reminded me of the torture of the press sheds at the brickyards where I worked as a younger man ......thank got that's over and one with and only a faint memory....the brickyards that is and not the music
Comments made by vaisvil
certainly Clapton has nothing on you!
this is great!
There is something compelling about your calm reflective pieces like this :-)
every cat has at least one... its were the 9 lives are stored...
enjoyed!
Nice sample! You gotta put it in a tune!
This is great!
great performance!
I like this one a great deal. The sections are more defined than usual And I like the character of each. I too listened several times.
Cool sounding!
amazing work!
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds