I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
I do have video of Jacob playing the udderbot with the band - but right now I'm still putting together my gear from storage and this was the best I could do with Windows Live movie maker on my laptop.
So for now - enjoy the sound of Jacob jamming…
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are.
The music is wonderfully traditional sounding folk.
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
The video is the real show here - an excerpt from Xenharmonic Praxis Concert #2
This is Ruckus from the Quiet Zone in 7-limit Just Intonation composed by Ralph Lewis inspired by a trip we made to the Green Bank Radio Telelscope. The quiet zone…
The opening track from the 2nd Xenharmonic Praxis Concert, Madonna, il poco dolce, written by Nicola Vicentino (1511-1572)in (31-tone extended meantone)
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a composition for Jazz Quartet – Tenor Sax (sorry for the unrealistic stray notes), fretless bass, piano, and drums. All but the drums were preformed on my Fender Mustang + GR-20 retuned on the fly by Fractal Tune Smithy.
The tuning…
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
This is a video I made that uses heavily modified voice samples from the human lattice at the xenharmonic praxis summer camp and video footage from a cave I visited in Virginia. The piece is in JI since that was the point of forming a human lattice…
A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
my tribute to a very underrated, underappreciated band. 40 yrs ago thier self titled lp came out, and i cover one from the lp as a tribute on thier 40th anniversary. im not a lead guitarist, and a new singer, so please bear with me on that.
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Comments on vaisvil's stuff
Honoured to be the first listener to this monumental piece.
Well it went out with a bang. :)
Mournful, beautifully played.
Easy on the catnip, Puss!
O my it's leaving? Well you can make another. Great sound.
What a hair raising trip, but the scenery is so beautiful. I can't get over how quiet your roads are. The music is wonderfully traditional sounding folk.
Yeah, cheerio canon! Well, will you just look at that cat!
oooh!! sweet Irene she sure knows the blues.....
bad into.
The closing round was delightful as was the udderbot in the final song. I should probably make an udderbot...
I love the way the violin takes over from the voice in the run up. Clever! Nice track!
Smack damn, microtonal jazz. Nice Chris. I really like the floating bass in this one. And the Sax of course.
really diggin the blues tune. Shocking photo
Is this the strat you took the frets off sanded down, etc? Sounds great. Crispy.
Is that Zoom H2 battery operated?
Mesmerising!
Glad you're all safe. Digging these bluesy tones. -Tess
Great playing mate. That's one huge storm.
Very cool mix mate great sounds.
I'll take this track as a sign that you survived. nice jam.
Comments made by vaisvil
I saw autoharp and I had to listen. I really like this song. Very nice vibe to it.
enjoyed - like Kate Bush meets Tori Amos at Apex Twin's home studio.
well, Iceland is about half-way - I say we have an Alontone party in Reykjavík - perhaps we can get Bjork to join in!!
this is lovely - way way too short!!
excellent - never heard the original but I love what you've done here.
awesome!!
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.