What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
I am a member of ImprovFriday which has been occasionally mentioned on this mailing list http://improvfriday.ning.com/
- which is a site devoted to improvisations, instant composing and mash ups / re-compositions.
People submit individual…
12 string improvisation - vaguely in an eastern Indian mode.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
Hiding April is a programmatic electronic piece that uses the hardware Korg MS2000 and Absynth 5 software synthesizers and orchestra percussion from Garritan Personal Orchestra. At about 4:10 I found an aircraft-ish sound on my Korg which then…
This is a solo classical guitar piece in 12 equal. The recording was produced by playing an Epiphone C70CE through a Marshall amplifier's clean channel with reverberation and recording with a Zoom H2. Minimal post - processing was done to the…
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
Wonderfully fruity!
Beautiful soundscapes
Wild.
I understood hospital the rest is dutch, but this is very cool.
It's great to hear that you are doing better! Cool piece.
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hope your doing better Chris.Very nice piece you have here.
Different goodie
That was real cool. Excellent vocals
Very different mate cool.
Crazy-ness....
Intriguing piece. Bits of it remind me of everything from Gershwin to Kansas!
Wonderfully done!
It's deep, it's blue, it's deep blues. Whatever that is? This is Jammin'
Nicely done mate.
Pretty cool stuff man.
Yeah, I love the Sitar and Indian music too. I have a feeling Geir plays one!
Oh, what did he know!! This is Blues!
Wow! Soundtrack to approaching Jupiter!
Eerie and delicate!
Comments made by vaisvil
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.