What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
I am a member of ImprovFriday which has been occasionally mentioned on this mailing list http://improvfriday.ning.com/
- which is a site devoted to improvisations, instant composing and mash ups / re-compositions.
People submit individual…
12 string improvisation - vaguely in an eastern Indian mode.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
Hiding April is a programmatic electronic piece that uses the hardware Korg MS2000 and Absynth 5 software synthesizers and orchestra percussion from Garritan Personal Orchestra. At about 4:10 I found an aircraft-ish sound on my Korg which then…
This is a solo classical guitar piece in 12 equal. The recording was produced by playing an Epiphone C70CE through a Marshall amplifier's clean channel with reverberation and recording with a Zoom H2. Minimal post - processing was done to the…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
Comments on vaisvil's stuff
Wonderfully fruity!
Beautiful soundscapes
Wild.
I understood hospital the rest is dutch, but this is very cool.
It's great to hear that you are doing better! Cool piece.
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hope your doing better Chris.Very nice piece you have here.
Different goodie
That was real cool. Excellent vocals
Very different mate cool.
Crazy-ness....
Intriguing piece. Bits of it remind me of everything from Gershwin to Kansas!
Wonderfully done!
It's deep, it's blue, it's deep blues. Whatever that is? This is Jammin'
Nicely done mate.
Pretty cool stuff man.
Yeah, I love the Sitar and Indian music too. I have a feeling Geir plays one!
Oh, what did he know!! This is Blues!
Wow! Soundtrack to approaching Jupiter!
Eerie and delicate!
Comments made by vaisvil
Beautiful!!Great work here!
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!