Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
http://chrisvaisvil.com/wp-content/uploads/2011/06/box_harmonics.jpg
I used Paul’s Extreme Stretch (PES) to take a hammer dulcimer + violin improvisation and divide it into seven streams based on just intonation relationships to A at 55 Hz…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Another recent song somehow not posted to AT (?) cleaning house this weekend.
Had the privilege of playing around with a cello in the house.
Dont know how to play the damn thing but too fun not adding it in the mix
Working through a barrage of songs over two different computers. thought I posted this already but its not on AT. (?)
A little re-tooling on this one today as well.
Enjoy- Reef
First one for a long time thanks for listening .... thought i'd try playing everything...still got to work on that bass and drums
\DARLING.DARLING,DARLING
G D G D G D C G D
EM7 A A7
EM7 A A7
EM7 A A7
C G AM A6 AM D
Oh darling darling…
CHOICES
"After my house burn down I was confuse.
Why are they burning down my house? My neighbor house..."
"We called it The American War."
My friend, John, said this about this bit of audio drama:
I had forgotten how painful I find…
The pages of the book were leaking into the dream
Wading through waters of time, an unconscious stream
Eyes begin to flicker, getting heavier with sleep
Takes you by force into the deep
Cobras hood like an open sail
Eternity tries to…
Damn! Feels good to hit the Upload button again!
Completed RPM 17. this is the last track!!. the album is my first run through with logic pro ( dumping pro tools and the monthly subscription fee)
I feel great playing again.. been so long…
I wrote this song about 2 years ago and shared it here on Alonetone back then. I decided to do a studio recording of it recently. With the help of the team at F5 Soundhouse here in Minneapolis we've created this updated version. I hope you enjoy…
Here's the second song I recently decided to do with a studio recording from one I wrote and posted here a while ago as a purely vocal version. It's one of my favorites.... I hope you'll enjoy it too
Singing In The Silence
Verse 1:
Singing…
I decided to keep working on this one a bit on the "keep messing with it" program.... added some backing vocals and some piano.... kind of like where its heading after the one take wonder before... Any other suggestions are very welcome…
"Many years passed here while we were away. But if i smell dry tree near my home, i can feel winds of every day."
I rearranged my old nostalgia-soaked piece for two guitars, hope you might like it.
Special thanks to user felix.blume from…
A little disgusted at our former Prime minister...
to say the least...
HE'S THE DEVIL IN DISGUISE
we have travelled down the road
from what yesterday was to be
i switched on the TV and guest who i see
i saw Blairs dishonest eyes looking…
a demo for the band..gave the Blues harp ago on this one ..a little bit of politics
So everybody’s spoken
so theres nothing more to say
they seem to know where we’re going
it’s to the other side today
so lets get going while the the sun…
Putting my own stank on a cover from another mother. Jeff is brilliant and so is Stevie Wonder who wrote and George Martin who produced Jeff's Grammy winning version. What Greatness!
For some reason i jumped straight in, i was rushing it as time is short but why ??? your guess is as good as mine. Anyway it was a lot of fun Hope you enjoy…….
Comments on vaisvil's stuff
Lovely exotic flavours!
Feels like underwater exploration - very atmospheric.
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
Lovely.
And how he danced....
I dig the mood on this -- cool song!
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Comments made by vaisvil
this is really good!
man you sound like Gilmore on this! Voice and guitar!
Ha!
nice that you are doing it all - you've grown alot in musicianship over the years!
this is so touching...
There is something very vital here. I really like it.
Zeppelin III had a lot of special songs and this was one of them - excellent choice and execution!
Great!
This is wonderful!
Love - indeed too long!
This as well is wonderful too!
This is certainly one of the best I've heard by an internet artist, period. Superb writing and performance.
Lovely song and performance!
Beautiful piece!
look on youtube for this Thomas Dolby - The Devil Is An Englishman
that is some great guitar and vocal! Love the harmonica too!
I agree with fairynuff! And thanks for the comments!
gosh this is lovely!
Oh yes! One of my fav Zep tunes!!
ha!! groovy!