Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
Remastered the levels slightly on 3/4/09.
An attempt at a progressive metal-inspired piece with time signature changes.
Moral of the story: Kind of a demented play on Charlotte's Web - if you give somebody wings and they hate your guts…
An abduction of sorts - the abductor has honest intentions but perhaps a twisted sense of wrong and right.
(Having your atoms jumbled up by a black hole sometimes has that effect, according to that Stephen Hawking guy. I think Stephen King may…
I happen to own a mutant monkey as a pet, and was hoping this music would live up to the album name, and help sedate the bugger. Now he's more overexcited than ever - he used his laser beam eyes to get into the drop ceiling, and now he won't come down.
This song has went through so many versions we lost count a long time ago. Beginning seems a little boring but it's better through out the song we hope you like.
This is very catchy. If it can get me dancing about in my chair with a broken leg, that's saying something. The sound production is very tight.
It feels like it needs a cooler title, though - something like 'Encounter At [insert random planet/constellation name here]'.
w/m
by
oldrottenhead
well i've forgotten
more than i've known
i've reaped the harvest
of all i've sown
the ghosts they haunt me
in waken dream
in murky waters
i go to sleep
what does it matter
what i believe
i broke my vows
so long ago
so don…
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
You should try and find some college student who is a visual arts major, to see if he can take these tracks and pair them up with video footage. (It might make for a good final project for somebody.)
A mashup with
Roger Sundström Guitar,Soundscaping
Douglas Laustsen (i-78-eastbound)x2
Paul Mimlitsch (if5512bcimpx)x2
Guenter Glaeser (blubbblub (no coke anymore))
Chris Vaisvil (kalimba 23 celeste 13 gong 8)
Lydia Busler-Blais (Babylon)
Paul…
This is beautiful - I'm speechless. (Well, except for that sentence.)
I guess you can't really communicate that you're speechless without saying something. It really creates a parodox if you think about it too much.
This song was created by Alonetoner [Joshua Wentz](http://alonetone.com/joshuawentz), featuring the voice of [Absinthe & The Dirty Floors](http://www.thedirtyfloors.com)' Jessica Risker and is track 6 of the multimedia anthology, Foreshadows…
Okay - I've always been a dumb sucker for female vocals. The vocals by themselves are nice, but you also build a nice synthesizer backdrop for them. All sorts of glitchy, vocoding fun going on here.
This began as a remix of a song I did almost exactly a year ago, and I wanted to see how the same melodies and motifs could evolve over the amount of time. While I stuck with the same acoustic recordings from the original session, the synths ended…
This is nice - it blends an ethnic flavor (Latino/Mediterranean)together with some old-school analog synthesizer.
You wouldn't think the two would go together, but they complement each other nicely.
This appeals to my inner geek. (Okay, maybe not so inner..)
It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This song was created by [Bilian](http://foreshadows.net/musicians/bilian) and is track 5 of the multimedia anthology, Foreshadows: The Ghosts of Zero. This song inspired a story of the same name, written by [Joe Rixman](http://foreshadows.net…
Title track of my new project, as my other group? The Seven Spiders. This song is experimental dub influenced chamber music, I am exploring the possibilities of humour in music trying to make the music itself amusing ... if that makes any sense…
Comments on AMUC's stuff
Great sounds mate
Nice one mate very cool sound
Nice one mate very cool.
What a trip! Cool!
Wild tune.
Very cool electronic piece! -KAC
Hypnotic melodies and awesome beats! Nice track!
Stirring stuff!
whoa cool sounds!
big yes from me! love the synth especially...
Interesting, and very very weird.
This is killer - Had to loop it for a bit. Woostah, huh? I'm a stones throw away in So. Nampshah!
Woah! Departure! Cool sounds here!
I love the panning.
Shadow, Shadow, Shadow, Shadow.
This sounds very psychedelic. Brilliant application of sound effects.
Perfect title for this. Great stuff. Melodic, Dark and frakkin awesome!
Its like if death cab for cutie and nine inch nails fused into one artist. This is cool stuff!
yeah, man
I enjoyed this.
Comments made by AMUC
I happen to own a mutant monkey as a pet, and was hoping this music would live up to the album name, and help sedate the bugger. Now he's more overexcited than ever - he used his laser beam eyes to get into the drop ceiling, and now he won't come down.
Interesting Podcast. I'll have to subscribe to the feed..
This is really good for a live performance. I've had the entire setlist on loop while playing my video game here.
I really like the electronica meets Mr. Bungle vibe to this. The title is kind of abstract, though. (Is it a temporary name?)
I love this - it appeals to the progressive rock part of my brain. I'm hearing shades of Phideaux and Spock's Beard mixed in there.
This is very catchy. If it can get me dancing about in my chair with a broken leg, that's saying something. The sound production is very tight. It feels like it needs a cooler title, though - something like 'Encounter At [insert random planet/constellation name here]'.
The vocals intrigue me - they remind me a bit of Fish from Marillion.
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
You should try and find some college student who is a visual arts major, to see if he can take these tracks and pair them up with video footage. (It might make for a good final project for somebody.)
I like the atmospheric nature of this one -- it creates a nice soundscape to zone out to.
I like the lyrics - the words are very tight and you can tell a lot of thought was put into them. Solid production too..
I really like the chord progressions at work here. It has a certain Beatles flair to it (at their most mellow.)
This is an interesting composed work -- I like how it feels like it's split into sections, kind of like a classical piece.
This is very catchy -- it sounds somewhere between Pain Of Salvation, BT, and Savage Garden. I like the harmonies at work here.
This is beautiful - I'm speechless. (Well, except for that sentence.) I guess you can't really communicate that you're speechless without saying something. It really creates a parodox if you think about it too much.
Okay - I've always been a dumb sucker for female vocals. The vocals by themselves are nice, but you also build a nice synthesizer backdrop for them. All sorts of glitchy, vocoding fun going on here.
This is nice - it blends an ethnic flavor (Latino/Mediterranean)together with some old-school analog synthesizer. You wouldn't think the two would go together, but they complement each other nicely.
This appeals to my inner geek. (Okay, maybe not so inner..) It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This rocks - I'm hearing a strong New Order/Depeche Mode vibe to this.
I really like the clarity of the percussion here - everything sounds as clear as a pin dropping.