Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
DON'T ASK ME TO DANCE
Kim Noble: Lyrics, Vocals, Vocal Melody
Nico Camps: Drums
Simon Lenaert: Bass
Steffen Offermann: Keys, Original Music, Production & Mix
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I was fooling around with studiofactory for a while and discovered "random noise" making elements. I recorded a few tracks of that with different parameters and mixed them into a track. There was a pink noise oscillator going into a sine wave…
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
Synths are meant to represent the fast beating heart of the technological city, with its busy trains and industrious people. The breathing is life, and the cheerful keyboard is supposed to be the fun and excitement of life in a city with a flourishing…
1) Be a complementary force to the alignment that they call the change of leadership.
2) Use attraction, alignment and avoidance and extended this with a number of traits.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Comments on AMUC's stuff
Love this opening track!
Nice mate dig it very cool
great beat mate
Excellent production and intense clarity to the driving beats and sounds. Very original and engaging.
Great sounds mate
Nice one mate very cool sound
Nice one mate very cool.
What a trip! Cool!
Wild tune.
Very cool electronic piece! -KAC
Hypnotic melodies and awesome beats! Nice track!
Stirring stuff!
whoa cool sounds!
big yes from me! love the synth especially...
Interesting, and very very weird.
This is killer - Had to loop it for a bit. Woostah, huh? I'm a stones throw away in So. Nampshah!
Woah! Departure! Cool sounds here!
I love the panning.
Shadow, Shadow, Shadow, Shadow.
This sounds very psychedelic. Brilliant application of sound effects.
Comments made by AMUC
Solid singing, and I like the lyrics. You can tell there was thought put into them.
I like that weird FM-style synthesizer around the 1:40 mark.
It has a very 70s/80s feeling vibe to it, and I mean that as the highest praise possible. I could genuinely have heard this on the radio in that era.
I'm digging this (actually the album as a whole). This particular track has a Winter Brothers kind of vibe to it.
Poor, poor bear. At least didn't die in vain, because this track rocks.
I have a feeling this is what they would play in the self-replicating robot factory to try and increase production.
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
I'm liking the melody played by the flute-like synthesizer. It feels like it goes counter to the rest of the melody, but in a good way.
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I like this for some strange reason. It's like R2D2 is malfunctioning in some filibustery sort of way.
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
I like this - it's a real foot-stomper. The vocalist also really holds up her end of things. She carries the lyrics well.
I like the crunchy drums here. This sounds very professionally mastered - all the instruments jump right out at you in the mix.
I'm getting a Jean Michel Jarre vibe from this. I like the synthesizer voices you chose.
One thing I'm digging about this album is while each song has its own unique identity, it still feels like it's part of a greater cohesive whole.
I'm liking this one. It's a nice hybrid of electronically-generated music with some real instrumentation thrown in. The whole album I've been digging.
I love long-play tracks like this that just go in all sorts of unexpected directions.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Thanks - this is what I needed to chill a bit after a particularly stressful day.
I like the compound time signature in the vocal melody. It's catchy, and makes me want to bob my head along to the music.