Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
My first track as Black Bear Black Sheep and my entry for this year's RPM Challenge
It's not perfect but there was a lot of love put into this track and I'm happy that I'll get to share that love
RPM 2k22
you can't remember anything tonight
cause you lost the feeling, lost the feeling
the tide is turning, the shoreline is in sight
but you've lost the feeling, lost the feeling
whenever all seems hopeless try
to remember all…
RPM 2022. I finished a song.. does that count?
Well the early bird
Catches the worm
Eats it up
And shits it out
Onto the lawn
And into the dirt
Where the worms crawl
And use the soil to form
To be eaten once more
By the early birds…
This is a 42 minute track for sleeping or relaxing. It's a combination of 12 string guitar, mandolin, synthesizers, and even some Elven speech. Thank you for checking this out.
UnCaged: 33'4'' - it's a piece we've recently recorded for the French label, Camembert Électrique, to be released on a compilation called "Silence" in early December. It was John Cage whose 4'33'' cleverly demonstrated the near impossibility of…
I like the some of the melodic changeups that take place over the course of the song. The vocals lined up to the hammering drumbeat are also well-executed.
When I was young we lived opposite a big play area - lots of grass and trees and bushes to rampage around - and in the middle a tarmac playground with the "amusements" - a witches hat (aka umbrella), a long rocking horse with saddles along its…
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
Millions of years ago... Before the dawn of history... I was a in a school band. I couldn't play an instrument then so I was the vocalist. This tune was one of the band's originals.
Now, bear in mind this was the 'Ay-deees' so it was mullets…
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
You definitely capture the Donkey Kong Country vibe with this. (Now I want to go back and play that.)
This one has a nice flow to it, both instrumentally and lyrically.
Nice. I'm getting a strong Kevin Moore / Chroma Key vibe from this.
This is great. Getting Paul McCartney vibes from this. The sort of ditty you can teach little kids to sing.
This is fantastic. I have it playing while I'm doing my remote work, and I'm ready to fall asleep on the keyboard.
Digging this pair of songs. Very mellow and well-produced.
I'm curious what would happen if you slowed this down with Paulstretch..
This feels like the soundtrack for yet-to-be-made sci-fi movie. With claymation aliens.
I like the some of the melodic changeups that take place over the course of the song. The vocals lined up to the hammering drumbeat are also well-executed.
Just the right length for my limited attention span - Squirrel! (darting away)
The stereo image is awesome. Sounds great through headphones.
This is one of those tracks that just lets you close your eyes and go somewhere else.
I'm getting a Laurie Anderson feeling from the vocals.
I'm digging this - just what I need when I'm processing work for my job.
I love the sound of hardware synthesizers.
This is absolutely awesome. Complicated piece. Just heard it on the RPM Challenge listening feed.
Digging this - the synthesizers take you somewhere else.
You can tell this was very cathartic to create. I like the vocals.
I'm digging the synthesizers here and their playful melodies.
I like how the tone of the song changes midway through.