Her Low Budget Nightmare : Track 7.
If you know the words, sing along!
I am going to post the lyrics here. They are being tabulated by a computer now and coming out on punch cards.
When magic and technology cross paths, all heck will break loose.
Lyrics
I can't help believing
that this course she can't stop weaving
a part of her deceiving
herself that this is right
She focuses fate
her intentions transferred…
When magic and technology cross paths, all heck will break loose.
Lyrics
I can't help believing
that this course she can't stop weaving
a part of her deceiving
herself that this is right
She focuses fate
her intentions transferred…
Her Low Budget Nightmare : Track 3.
Another track that came from an odd dream that I had. I was having a bout of sleep paralysis one night, and I heard a young child talking to an older man, asking about me. The older fellow said
'Nevermind…
Her Low Budget Nightmare : Track 15.
I am contractually obligated to put a song about ninja penguins somewhere on this album.
Considering the title, it feels like the world now needs a video game or major motion picture for this particular…
Her Low Budget Nightmare : Track 3.
Another track that came from an odd dream that I had. I was having a bout of sleep paralysis one night, and I heard a young child talking to an older man, asking about me. The older fellow said
'Nevermind…
Her Low Budget Nightmare : Track 2.
They say if you travel far enough, you'll inevitably meet yourself.
Why travel? It happens all the time in dreams. Word of warning, though : It may not be the you you like to admit exists.
This is a post-RPM version of this track. (I had gotten some feedback that it seemed incomplete, so I spent some time developing it.)
I'm going to leave the original version of the track available, since it's interesting to compare how the…
I went a little sample crazy this year for the RPM challenge. (This song is the tip of the iceberg, and then it gets far worse.)
Thematically, I guess this one resulted from spending a month between the hospital and a rehab facility last year…
Title track from AMUC's 2013 RPM album.
Probably the closest thing to a 'rock' track we've done this year.
5/11/13 - Uploaded a better mastered version of it. I've been fiddling with the mix over the course of a few weeks.
5/13/13…
I went a little sample crazy this year for the RPM challenge. (This song is the tip of the iceberg, and then it gets far worse.)
Thematically, I guess this one resulted from spending a month between the hospital and a rehab facility last year…
Title track from AMUC's 2013 RPM album.
Probably the closest thing to a 'rock' track we've done this year.
5/11/13 - Uploaded a better mastered version of it. I've been fiddling with the mix over the course of a few weeks.
5/13/13…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
DON'T ASK ME TO DANCE
Kim Noble: Lyrics, Vocals, Vocal Melody
Nico Camps: Drums
Simon Lenaert: Bass
Steffen Offermann: Keys, Original Music, Production & Mix
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I was fooling around with studiofactory for a while and discovered "random noise" making elements. I recorded a few tracks of that with different parameters and mixed them into a track. There was a pink noise oscillator going into a sine wave…
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
Synths are meant to represent the fast beating heart of the technological city, with its busy trains and industrious people. The breathing is life, and the cheerful keyboard is supposed to be the fun and excitement of life in a city with a flourishing…
1) Be a complementary force to the alignment that they call the change of leadership.
2) Use attraction, alignment and avoidance and extended this with a number of traits.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Comments on AMUC's stuff
I like this one, lots of depth
But I don't know the words. :( It's catchy, though.
Yeah production on this piece, love the slightly Eastern feel.
Great mix dig it
bloody hell, this is mindblowing!
Very cool
Like the crispness and the way the human voices blends in and the way it transforms from one voice to another.
Most creative!
Apart from ACL`s "bunny with the boom box" this is the weirdest idea I heard on alonetone so far :-) Cool!
This is awesome
Cool groove on this one
Feeling like back to the days of Atari and C64 :-)
Love it! Crazy but great
nice beat like it
:)
good mix
I would repeat listen to that
You should expect a call from next sonic developer :)
Sounds great. Interesting music, very original.
Love the atmosphere of this one. Vocals are great.
Comments made by AMUC
Solid singing, and I like the lyrics. You can tell there was thought put into them.
I like that weird FM-style synthesizer around the 1:40 mark.
It has a very 70s/80s feeling vibe to it, and I mean that as the highest praise possible. I could genuinely have heard this on the radio in that era.
I'm digging this (actually the album as a whole). This particular track has a Winter Brothers kind of vibe to it.
Poor, poor bear. At least didn't die in vain, because this track rocks.
I have a feeling this is what they would play in the self-replicating robot factory to try and increase production.
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
I'm liking the melody played by the flute-like synthesizer. It feels like it goes counter to the rest of the melody, but in a good way.
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I like this for some strange reason. It's like R2D2 is malfunctioning in some filibustery sort of way.
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
I like this - it's a real foot-stomper. The vocalist also really holds up her end of things. She carries the lyrics well.
I like the crunchy drums here. This sounds very professionally mastered - all the instruments jump right out at you in the mix.
I'm getting a Jean Michel Jarre vibe from this. I like the synthesizer voices you chose.
One thing I'm digging about this album is while each song has its own unique identity, it still feels like it's part of a greater cohesive whole.
I'm liking this one. It's a nice hybrid of electronically-generated music with some real instrumentation thrown in. The whole album I've been digging.
I love long-play tracks like this that just go in all sorts of unexpected directions.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Thanks - this is what I needed to chill a bit after a particularly stressful day.
I like the compound time signature in the vocal melody. It's catchy, and makes me want to bob my head along to the music.