Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Looking at nowhere by Pasha is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.Based on a work at alonetone.com.
Admittedly rushed out for the holidays, here's a 5 song EP of techno christmasness. By next year, it'll be a full record with lots more sleigh bells and sirens.
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now.
I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly.
You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
When I stepped into that night I felt at home for the very first time in a long, long time. When I stepped into that street I felt complete for the very first time in a long, long time. I didn't wonder where you'd been all day. Or maybe I did…
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
Emperor of Evil Dissonance is from the machinima movie produced and directed by SS Productions for the Sims International Film Festival. The movie is due for release on 15 September 2010 at www.youtube.com/user/SSMusicProd...
As the songs were…
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
I like the melodic twists and turns this takes. Strange theme - very sci-fi..
I would love to hear the vocals get more attention - they seem to be competing with the instrumentation for the limelight.
As the song says, this is a song I wrote for the RPM Challenge. I simply took my actual experience beginning at 12 midnight on February 1st, and a couple or three hours later I had my first song. The player takes away the intensity of this track…
2010 Vocal Jazz Festival - Mansfield University of Pennsylvania
The Mansfieldians, a 12 voice vocal jazz ensemble, held a concert on April 15, 2010 closing the day's festivities. Directed by Dr. Sheryl Monkelien, the group features some of…
Comments on AMUC's stuff
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
Comments made by AMUC
For a 'not professional' singer, you sound great, IMHO. The whole song flows well - you can tell a lot of effort was put into the sound production.
Listening to this, I feel the need to hang up the disco ball while playing ample amounts of 8 bit Nintendo. =)
I like the trippily-demented jazz section around 4:45.. That caught my attention.
Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.
I envision this is probably what heaven sounds like, assuming the place exists. Fantastic harmonies..
I like the percussion on this one -- it sounds very real. (I'm a dumb sucker for conga drums.)
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now. I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly. You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
The interplay of the different voices creates a nice texture. It reminds me of Ayreon - how he uses different vocalists to establish different moods.
Wow. This totally mucks with your brain - I feel like I'm drowning in it by wearing headphones.
Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)
Well done. The vocals/lyrics are haunting. I like how it goes from symphonic to crunchy at about the two minutes mark.
This is catchy - it has a trip-hoppy Beach Boys sort of feel.
I remixed this RPM track - sounds a lot better now..
I love the wordplay here. "A part" vs "Apart"..
I like the melodic twists and turns this takes. Strange theme - very sci-fi.. I would love to hear the vocals get more attention - they seem to be competing with the instrumentation for the limelight.
**Dancing about like an idiot** I like this. =)
Awesome! This brought a smile to my face. I love hearing different genre's try their hand at FOTB.