(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
I like this one a lot. Gotta get me a banjo, or a mandolin, or both!!
You realise you're gonna have to get a fiddle as well now? (Or have you got one already!).
Fine track. Love those falling chords.
I kept meaning to listen to this ever since you first posted it. I didn't have 9 minutes at the time!
Then I noticed the attention it was getting - so I reckoned it must be something special...
... found the 9 minutes and..
YES! It is...
Coming from a completely different space than I've been dwelling in for the past few hours - and very refreshing because of that.
Enjoyed it a great deal.
Once upon a life
By OsCKilO
Once
Upon a life
Do we find
A happy ending
More
Are the times
That we try
To race from the line
Slow down Laddy
Wont you go a little bit Slow
So Daddy can
catch up
Hey there Laddy
I could run fast in my day
And…
a new song finally came out of my head .....
Here's the lyrics:
Numbers spinning ‘round my head
like bees around a hive
if I try to divide them
they only multiply
even if I round them up
or try to find their root
colors swirling ‘round my…
And another one! Fantastic.
"Far too high, far too bright.."
Love it...
This is definitely the last one I'm listening to... I'll catch up some more later... I'm off to the broom-cupboard now.
Oh fantastic song and performance. Love the "mandolin" - is it one, or the "capo up the neck" trick?
(I keep meaning to stop and actually go and do some stuff myself - but another one of yours keeps starting and I keep listening instead!)
This one is utterly fabulous.
This was made for an EMUfest a year ago ... played on my really old Rolan D10 and the robot-voice is me through a vocal patch on my boss BR800.
Have fun :D
Here's a song I recorded a couple of months ago when I had the flu ... as the voice reveals :)
Recorded early in the morning,in the bathroom, using the built-in mics on my boss br800.
Yes. Lovely.
Not sure I've heard your voice like this before (away from lots of instruments). You've got a lot more bottom-end to it than usually shows up on bigger arrangements. Think about discovering how to bring it out on those as well - not too much, just a bit :-)
Of course, it might just have been the flu!!! lol
I haven't been listening to your stuff enough recently - kinda catching up here.
This is fab. Luckily I'm too old and creaky to attempt to dance to it, thanks for the warning anyway lol
Bethan wanted to make a lullaby for her new grandson and asked me for to make a music track for her to sing to.
Tess added 2 extra riffs and pitched it down as well. She also did the mixing and the vocal arrangement.
Shadows Come, Day Is All…
Fantastic, gorgeous, yum...
Bethan, so far, this is my ABSOLUTE favourite vocal of yours (not heard them all yet, though! lol).
And I reckon Tess must have the same muse bothering her as the one that watches over and hassles me: I was getting ready to type...
"and that line 'My love sits in the front row' is just fabulous"
... when I read the previous comments!
Superb job everyone. Now, does it actually work as lullaby on the chap in question? :-)
Wooo... Not heard this one before - I assume it was the same punkfest I know about and, as I didn't pay too much attention to the stuff getting posted, I must have missed this.
Love it. What it most reminds me of is Motorhead's first album (and, actually, the originally unreleased first album, On Parole), before they "became" Motorhead. So they were still a mixture of Hawkwind, The Pink Fairies, and goodness knows what else that went into it (speed and vodka lol).
My old live sound engineer from the 80s would have LOVED this, he always trying to get me more into stuff like this. Looks like some of it stuck, I love it too.
Had a bad day when I wrote this.
There is a rule I stick by though.
"Divert and sublimate your anger and potentially virulent emotions to creative energy"
So I did..
Picked up the Kay G101 and pressed record on the iPhone voice memo…
Ah - you've uploaded this one as well, nice one :-)
But I still don't quite understand how you manage to channel stuff so apparently effortlessly, and invariably produce a song worth listening to at the same time. (And do it so often)
Mebbe I'll just press record one day and see what happens! (And then spend 3 hours/weeks/months twiddling with the EQ afterwards lol)
Comments on Andrew Russe's stuff
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Comments made by Andrew Russe
I like this one a lot. Gotta get me a banjo, or a mandolin, or both!! You realise you're gonna have to get a fiddle as well now? (Or have you got one already!). Fine track. Love those falling chords.
Not come across this tuning, not sure how it gets played, can't imagine it. Might have to give it a go. You seem to know what to do with it, though!
Good work guys. Very effective guitar track and mighty fine vocal from Hooky :-)
Nice. Like the riff, and lovely keyboards.
Rockin' :-) Sooner or later I've got to treat myself to a Sunday afternoon like this. Some well tasty guitaring going on here.
I kept meaning to listen to this ever since you first posted it. I didn't have 9 minutes at the time! Then I noticed the attention it was getting - so I reckoned it must be something special... ... found the 9 minutes and.. YES! It is...
Coming from a completely different space than I've been dwelling in for the past few hours - and very refreshing because of that. Enjoyed it a great deal.
Had to give this another listen before I lock myself away in the room with too many guitars. Thanks for the inspiration.
And another one! Fantastic. "Far too high, far too bright.." Love it... This is definitely the last one I'm listening to... I'll catch up some more later... I'm off to the broom-cupboard now.
Oh fantastic song and performance. Love the "mandolin" - is it one, or the "capo up the neck" trick? (I keep meaning to stop and actually go and do some stuff myself - but another one of yours keeps starting and I keep listening instead!) This one is utterly fabulous.
Lovin these guitar sounds.
Rockin
Always liked this one
Yes. Lovely. Not sure I've heard your voice like this before (away from lots of instruments). You've got a lot more bottom-end to it than usually shows up on bigger arrangements. Think about discovering how to bring it out on those as well - not too much, just a bit :-) Of course, it might just have been the flu!!! lol
Yep, still more of a Geir than a Hen (I can hear reverb on it for a start!) lol. VERY cool, sir
Crazy! :-)
I haven't been listening to your stuff enough recently - kinda catching up here. This is fab. Luckily I'm too old and creaky to attempt to dance to it, thanks for the warning anyway lol
Fantastic, gorgeous, yum... Bethan, so far, this is my ABSOLUTE favourite vocal of yours (not heard them all yet, though! lol). And I reckon Tess must have the same muse bothering her as the one that watches over and hassles me: I was getting ready to type... "and that line 'My love sits in the front row' is just fabulous" ... when I read the previous comments! Superb job everyone. Now, does it actually work as lullaby on the chap in question? :-)
Wooo... Not heard this one before - I assume it was the same punkfest I know about and, as I didn't pay too much attention to the stuff getting posted, I must have missed this. Love it. What it most reminds me of is Motorhead's first album (and, actually, the originally unreleased first album, On Parole), before they "became" Motorhead. So they were still a mixture of Hawkwind, The Pink Fairies, and goodness knows what else that went into it (speed and vodka lol). My old live sound engineer from the 80s would have LOVED this, he always trying to get me more into stuff like this. Looks like some of it stuck, I love it too.
Ah - you've uploaded this one as well, nice one :-) But I still don't quite understand how you manage to channel stuff so apparently effortlessly, and invariably produce a song worth listening to at the same time. (And do it so often) Mebbe I'll just press record one day and see what happens! (And then spend 3 hours/weeks/months twiddling with the EQ afterwards lol)