(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
The first of 4 tunes coming your way with
the spotlight on my friend "Michael Thomas of Cave Street"
http://alonetone.com/cavestreet
This one is my favorite and chills me every time I hear it.
It never, ever, gets old.
Until Then (Shine…
Missed this originally. Love it.
I'm a sucker for songs with the word "shine" in anyway (I've used it several times over the years, myself). I just LOVE the word and the concept of "shine" when it's applied to humans - seems to be a really powerful trigger. I would use it in every song I write if I could!!! (Would kind of waste it's power though lol)
And this one doesn't waste it... a really beautiful song and performance. Faved.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
This song is about a friend of ours back in 2009. A lot of people called it very strange because she lost her 2 children, Husband, Mother and Father all in one week and they died of natural causes. One night she couldn't take it anymore she was…
For our beautiful son Willem, in French Guillaume.
recorded in my livingroom, 16-7-2009.
I called the song Guillaume before because of the beautiful sound.
Since 2012 I changed the title of the song into : Willem.
Because that makes much…
This is a beautiful song from Joni Mitchell. My friend had his 50th birthday and this was my gift, I played it live at his party and recorded it later (4-2-2011)in my livingroom.
It's one take, can't mis that if you listen to it all the way…
This is a fine version - listened to it a couple of times. Lovely performance. Even with the ad lib!! So glad to know for certain that it's not just me that finds that particular ad lib making it's way onto my recording machine :-)
BTW - It all seems to be on the left channel of the stereo, though - is that what you intended?
[in memory of YC]
[work in progress - comments welcome]
You say
I doesn’t matter what I say
All the time we spent is gone now
Taken out
You cry
I'm not even asking why
Your head's up in the sky now
Your alive
When I ask you to explain…
I've commented before, but this started playing after listening to something else.
And I had to comment again: I LOVE this song and your vocal. (You asked for comments - the ONLY thing that distracts me is the popping on the mic on the lead vocal, I'd want you to address that. I suspect you want to work on the lead guitar - I think you can almost leave that if you want, the song and the vocal is where this is at for me).
Wish I could Favourite it again! :-)
Garn/Landry (And I barely deserve any credit for this one at all)
A while back, Jim recorded a rough version of this song, and upon listening to it, I was thrown back to a day from my youth. While vacationing in Vermont, a small twister throwing…
I was listening to Jims beautiful instrumental and it struck a chord ...so here it is Thanks Jim.....
Shadow of a man (Lyrics)
As i look in the water i see a reflection of what i was
i see the strong man who could have done what ever he wants…
This works :-)
I'm still very fond of the original instrumental, so I was a bit worried what might have happened. But no, no need to have worried... this is great. Obviously the focus is on the vocal instead of the fantastic guitars, but I like the contrast in the styles of the two of you. And great lyrics.
Nice work chaps!
[in memory of YC]
[work in progress - comments welcome]
You say
I doesn’t matter what I say
All the time we spent is gone now
Taken out
You cry
I'm not even asking why
Your head's up in the sky now
Your alive
When I ask you to explain…
Faved when I was only one minute into it.
For me, even as a work in progress, this is a powerful performance of a powerful song. I'll have to check out more of your stuff.
According to John this lyric was inspired by the weird visions of a former sports reporter who now thinks the people in high political places are actually lizard men from space. :D
Lyrics: John Williams
Composed by: Andy Gupta
Vocals: George…
I like this.
Whether it's intentional or not, I have to admit I imagined lots of glittery costumes, long hair, beards, and possibly make-up... (and Whispering Bob Harris introducing them on the good ole Old Grey Whistle Test) lol
Lady Jane's one woman band! No loops today - I got all my instruments out - all being guitar (played with plectrum in neck without realising - oops!), bongos, rain stick, ting sha bells, tibetan singing bowl and tinkly bell thing from my miniature…
Comments on Andrew Russe's stuff
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
Comments made by Andrew Russe
Missed this originally. Love it. I'm a sucker for songs with the word "shine" in anyway (I've used it several times over the years, myself). I just LOVE the word and the concept of "shine" when it's applied to humans - seems to be a really powerful trigger. I would use it in every song I write if I could!!! (Would kind of waste it's power though lol) And this one doesn't waste it... a really beautiful song and performance. Faved.
Yeah... nice version. Some lovely strat sounds there.
Nice one :-)
Wonderful :-)
Why have I never heard this before? It's beautiful.
I found this very moving - even before I read the description.
This is mighty fine listening.
You guys are crazy! lol But what really impresses me is that there's some seriously crazy musicianship going on with it. Love the guitar playing.
Surprised no comments yet! I kinda like this
Oh yes... Not heard this before. But like the other comments, what a fantastic voice. And a magical song and performance.
This is a fine version - listened to it a couple of times. Lovely performance. Even with the ad lib!! So glad to know for certain that it's not just me that finds that particular ad lib making it's way onto my recording machine :-) BTW - It all seems to be on the left channel of the stereo, though - is that what you intended?
I've commented before, but this started playing after listening to something else. And I had to comment again: I LOVE this song and your vocal. (You asked for comments - the ONLY thing that distracts me is the popping on the mic on the lead vocal, I'd want you to address that. I suspect you want to work on the lead guitar - I think you can almost leave that if you want, the song and the vocal is where this is at for me). Wish I could Favourite it again! :-)
This is superb. Just superb.
This works :-) I'm still very fond of the original instrumental, so I was a bit worried what might have happened. But no, no need to have worried... this is great. Obviously the focus is on the vocal instead of the fantastic guitars, but I like the contrast in the styles of the two of you. And great lyrics. Nice work chaps!
Faved when I was only one minute into it. For me, even as a work in progress, this is a powerful performance of a powerful song. I'll have to check out more of your stuff.
I like this. Whether it's intentional or not, I have to admit I imagined lots of glittery costumes, long hair, beards, and possibly make-up... (and Whispering Bob Harris introducing them on the good ole Old Grey Whistle Test) lol
This is a mighty fine track.
When I read "electronic" in the about descrition I thought "oh...", but I have to say I loved this.
Wow, I love your harmonies. Excellent version.
This is gorgeous, just gorgeous.