(Remastered 22/10/2021)
And here is the first reply to In Your Hands.
I say "first" because I've found another one, When I Try To Be Me, that Mrs R says I have to do too... but that's unlikely to be the next one I post because I'm working…
(Remastered 22/10/2021)
And here is the first reply to In Your Hands.
I say "first" because I've found another one, When I Try To Be Me, that Mrs R says I have to do too... but that's unlikely to be the next one I post because I'm working…
(Remastered 22/10/2021)
And here is the first reply to In Your Hands.
I say "first" because I've found another one, When I Try To Be Me, that Mrs R says I have to do too... but that's unlikely to be the next one I post because I'm working…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Great stuff the lyrics moved me and I take pride In being a stoic
The picking style is driving in an old timey way
This is really fine good work , Andrew
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
I as a stage hand for 25 years and this song is like something from a traveling broadway musical. I worked Fantom, Beaty and The Beast, Jeckle and Hyde, Spam-a-Lot. Many many. This song is perfect as the whole cast comes back on stage to form a choir as they exit fading.
(Remastered 22/10/2021)
Here it is in all of its glory...
THIS is the song that Mrs R and I had decided was a suitable response to a request to "Upload something HAPPY, stat!!!!!!!!!"
I tried to record it back in 2013 when I wrote it…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Andrew, Thank you for keeping up with me lately. I just spent three hours coming up with that one minute. It took me that long to think of something to say. Thanks for commenting. 82 degrees in Cowtown and time to take the puppies for a walk. Thanks again for listening and commenting.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Thanks so much for the background notes. You are so right.... now I love it even more. And it sounds like you are an amazing friend as well... but no surprise there!!!! Hugs to you !!
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Wow..... just wow. Between the shoebox and the broom closet there is a magic Songwriting genius machine. This one choked me up. So so sad and so well done.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
You is the most important word in songs. I learned that from a poet named Shannon Elizabeth on Facebook. Thank you for telling me more. Once we've captured a story in a song some of the confusion from the time is illuminated. We don't ave to cling to is, so as not to lose the memories.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
What a fine vocal. The intensity! And that very folky guitar snags me deep. So many stabs at the heart in your lyric. Trying to figure out who
You" is.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Good one mate, I know where you're coming from, glad I'm not alone on the swearing and Take 550 ......
' get it right you useless ******* ' or words to that effect I always use ....
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Well you’ve proved to yourself your not “crap” reminds me of something my father would say to me time and time again “ don’t touch that you’ll break it “ and I normally did. Pleased you saved this one from the shoe box an excellent lyric love it pie pod bound along with all your others 😁
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
You're currently writing amazing songs that make my heart hurt a bit. If that didn't happen, I'd like them even more. That's the trouble with fantastic songwriters.
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EDIT:
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I finally was able to remix the song. Please listen to "Fide On The Broom Stick (Version 2012)" in my track list to compare…
This celtic folk piece is a collaboration with lyricist Donna Devine.
This is Donna's explanation:
===============================
Background: In earlier centuries, young men were captured by "press gangs" - often literally torn away from…
Another goodie...
Thoroughly enjoyable listen to all of your tracks on here so far...
I'm amazed at all the different styles you take on and succeed at.
This one started while I was commenting All I Do Is Cry ... and it didn't grab me initially.
But when I started concentrating... crumbs, this excellent. Really interesting melody and chords, and boy does he navigate his way around it well.
I had to click favourite by the time it finished! Brilliant.
Lyrics: Paul Dempsey
Guitar: Billy Playle
Bass: Andy Gupta
Drums: Alex Zulaika
Composed by Steffen Offermann & Tricia Dovidio
Arranged & mixed by Steffen Offermann
Ah... I heard this the other day, didn't I?
I've got two more of yours to go at the moment, but this is my personal FAVOURITE so far.
I assume it's Tricia Dovidio on the vocal again? I think I loves her voice and delivery... :-)
Vocals: Paul T. Bathen
Lyrics: Michael Taub
Bass: William Fisher
Guitars: Bill Gifford
Drums: Gerald Langefeld
Composed, arranged & mixed by Steffen Offermann
I'm glad this song finally got finished. I had lost the synth draft and with it…
Like the song, love the song, but you're right, I think there's a better a mix in there - it's almost like the lead vocal dominates the track too much... try thinning him out a bit mebbe? Seems a shame to do it though, he's got such a good rich voice :-)
Vocals: Eric Savoie
Acoustic Guitar: Dan Clancy
Electric Guitars: Bobby Clohessy
Bass: Trevor Tillotson
Drums: Gerald Langenfeld
Composed by Steffen Offermann & Eric Savoie
Arranged & mixed by Steffen Offermann
Oh yeah, this is a special one.
He's an excellent lead vocalist, absolutely superb. The song stays sung when he's sung it! Not so convinced that he ought to do his own bvox based on this one though? I felt his lead wanted a different texture to go with it.
Having said that though - wow! The song, the performances, the recording... Superb :-)
Vocals: Tricia Dovidio
Lyrics: Bob Beckley
Composed, arranged & mixed by Steffen Offermann
This one was tricky to do because the piano does not play at a fixed tempo, and it was an online collaboration (like all my collaborations).
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!!
I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
A pop/rock tune in the veins of the 80s. At least that was the goal.
UPDATE: This is the Jan 2017 version!
Lyrics: Casia
Vocals: Jessica Rasche
Solo Guitar: Bobby Clohessy
Bass: Jean Lui Toudou
Drums: Jay Carros
Composed, arranged…
I'm getting a much better idea of "stoman" listening to tracks one after the other on here.
You have no fear of genres/whatever - write the song, get the right dudes on... job done :-)
Another classy one.
Vocals: Sabrina Doughty
Lyrics: Grant D. McLeman
Composed, arranged & mixed by Steffen Offermann
This is the 2012 remix.
This song was based on a free-form lyric by Grant D. McLeman from Scotland. Quite a challenge ... :)
Lyrics & Lead Vocals: Angela Baird
Background Vocals: TSV
Bass: Matt Lewin
Drums: Gerald Langenfeld
Composed, arranged & mixed by Steffen Offermann
This song is a problem ... the vocal track was never meant for production (although…
Vocals: James Ryce
Lyrics: Paul Dempsey
Bass & Drums: Neal Vanderhoof
Guitar: Andrew Doherty
Composed, arranged & mixed by Steffen Offermann
James is actually a country singer. This was the first time for him to sing a jazzy piano…
He did a fine job (vocal).
I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons...
"When the red dawn sings it's sad song and warns us what's to come..." - brilliant.
Lovely voice and a compelling performance.
This was written as part of a concept album inspired by the work of Pablo Picasso ,Trevor Lewis is a member of Songcrafters music forum , he came up with the idea of writing poems to 12 Picasso paintings , then put them out for people to put music…
Didn't realise you were on here!
I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
February
t boudreau
I'm stuck inside of February
With little chance of escape
And all you bar-stool visionaries
giving me advice that you'd never take
Wanna seat on a slow boat heading
South down a stream that seems to never end
Or…
Make Up Your Mind
T Boudreau
I've been lying here all alone waiting for you to pick up the phone oh yea
I've been dying here all along praying for you to come and save my soul oh yea
Where you gonna run when the well gets dry
Or are you…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Comments on Andrew Russe's stuff
Nice guitar playing! You got the touch Andrew!
Great work! I can hear the Tull influence but also reminiscent of Gordon Lightfoot... If you remember him?!
Wow... your vocals on this are just perfect. I hear that Jethro Tull influence there. Really pretty guitar playing.
Great stuff the lyrics moved me and I take pride In being a stoic The picking style is driving in an old timey way This is really fine good work , Andrew
I as a stage hand for 25 years and this song is like something from a traveling broadway musical. I worked Fantom, Beaty and The Beast, Jeckle and Hyde, Spam-a-Lot. Many many. This song is perfect as the whole cast comes back on stage to form a choir as they exit fading.
This song just reeks with sadness. Completely different voice from Edith. The starkness really works in the one.
Andrew, Thank you for keeping up with me lately. I just spent three hours coming up with that one minute. It took me that long to think of something to say. Thanks for commenting. 82 degrees in Cowtown and time to take the puppies for a walk. Thanks again for listening and commenting.
Another keeper. I love the guitar playing. It’s one positive thing that has come out of this mess that everyone is in. Some great music is surfacing.
Deep thoughts about being responsible. Great fguitar finger picking.
Thanks so much for the background notes. You are so right.... now I love it even more. And it sounds like you are an amazing friend as well... but no surprise there!!!! Hugs to you !!
This is a great composition and the production top notch! Excellent work!
Wow..... just wow. Between the shoebox and the broom closet there is a magic Songwriting genius machine. This one choked me up. So so sad and so well done.
I dig it!
You is the most important word in songs. I learned that from a poet named Shannon Elizabeth on Facebook. Thank you for telling me more. Once we've captured a story in a song some of the confusion from the time is illuminated. We don't ave to cling to is, so as not to lose the memories.
What a fine vocal. The intensity! And that very folky guitar snags me deep. So many stabs at the heart in your lyric. Trying to figure out who You" is.
It was definitely worth perservering with - love the melancholic vibe
Great songwriting here. Reminds me of Verve Pipe, very good.
Good one mate, I know where you're coming from, glad I'm not alone on the swearing and Take 550 ...... ' get it right you useless ******* ' or words to that effect I always use ....
Well you’ve proved to yourself your not “crap” reminds me of something my father would say to me time and time again “ don’t touch that you’ll break it “ and I normally did. Pleased you saved this one from the shoe box an excellent lyric love it pie pod bound along with all your others 😁
You're currently writing amazing songs that make my heart hurt a bit. If that didn't happen, I'd like them even more. That's the trouble with fantastic songwriters.
Comments made by Andrew Russe
Yep, lovely stuff, this works as it is for me
Another goodie... Thoroughly enjoyable listen to all of your tracks on here so far... I'm amazed at all the different styles you take on and succeed at.
This one started while I was commenting All I Do Is Cry ... and it didn't grab me initially. But when I started concentrating... crumbs, this excellent. Really interesting melody and chords, and boy does he navigate his way around it well. I had to click favourite by the time it finished! Brilliant.
Ah... I heard this the other day, didn't I? I've got two more of yours to go at the moment, but this is my personal FAVOURITE so far. I assume it's Tricia Dovidio on the vocal again? I think I loves her voice and delivery... :-)
Like the song, love the song, but you're right, I think there's a better a mix in there - it's almost like the lead vocal dominates the track too much... try thinning him out a bit mebbe? Seems a shame to do it though, he's got such a good rich voice :-)
Oh yeah, this is a special one. He's an excellent lead vocalist, absolutely superb. The song stays sung when he's sung it! Not so convinced that he ought to do his own bvox based on this one though? I felt his lead wanted a different texture to go with it. Having said that though - wow! The song, the performances, the recording... Superb :-)
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!! I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
I'm getting a much better idea of "stoman" listening to tracks one after the other on here. You have no fear of genres/whatever - write the song, get the right dudes on... job done :-) Another classy one.
Works for me. Great track and the vocal just sits there like it should.
I like it. I see what you mean about the vocal take... but I think it adds to it's effect.
He did a fine job (vocal). I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons... "When the red dawn sings it's sad song and warns us what's to come..." - brilliant. Lovely voice and a compelling performance.
Wow... First time I've heard this one. Excellent song... and SUPERB vocal
Didn't realise you were on here! I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
Beautiful. I've got some goodbyes it would have fitted. Many thanks.
Liked this a lot.
Great finish to an excellent album. Loved the whole thing, nice work guys. When you coming to London? :-)
Digging this album BIGTIME so far. This track has really made me sit up and pay attention. Actually, stand up and boogie is more accurate :-)
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.