This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I love the chord move you do at the end of line three in the verse. The lyric grabs me from, That she hopes will be the very one
That you decide to wear." Because of you voice you use and the sounds it says the object of their desire/affections is David Bowie.My favorite line, among many is, And Blazey’s left her homework on the train." And, It’s never crossed their minds that you might fail."
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
Pop-rock tale about a character in a novel that I fancied. Recorded in 2009 on a Boss MBR.
****
**Sooner or Later - A A J Russe**
Theres a crazy girl
Looks about my age
Hiding out on the second page
Waiting for the story to unfold…
This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
Well, I'm almost on a roll now - this little love song was written, arranged, and recorded in just a week. I've been meaning to attempt something like this for years, just never got round to it.
I'd actually settled down to finally record a…
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This one's a bit of a ponderous beastie.
It can be whatever you want it to be. For me, it's got a lot to do with Sunday 18th June 1815.
****
**Cold - A A J Russe**
Your wagon-train
Is out of danger
And of course you never lie
Not…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
This song's going on 32 years old...
Some 12 years older than I was when I wrote it!!
I borrowed the title from one of my favourite madrigals, The Silver Swan by Orlando Gibbons:
"The silver swan who living hath no note, when death approached…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
I struggled to get this thing completed. I've been sat on it for weeks, finished, debating whether I was really prepared to let it go.
I loved the song when I wrote it, inspired by a wonderful week at the end of September. But the recording…
Playing with my new Zoom B1X effects processor. Synthesized drums are from the B1X. Bassline is a panicky one I like to play. The guitar part I just came up with. Altogether I think I like it -- anyway it gets my pulse up!
Well, it's a work…
A short 2-track guitar tune. I was trying to get that feeling of going out in public after lockdowns are all over. Sort of a combination of relaxing and frantic, I guess?
OK, so just in the spirit of the season (!) here's a playfully spooky little creation.....maybe imagine all those skeletons dancing around the place!!! I should maybe pay some homage to Tim Burton/John Williams here...?
:) I thought I'd commented on this one too... (been distracted by Mrs R's latest Christmas film choice ... it's not even December yet!!! It's got Dolly in, though... interestingly she looked older in 1996 than she does now!!) ... Anyways, yes, I like the insistent rhythm driving it on.
Oh yes, like it. And I agree with thetworegs - it does evoke some Christmas vibes (this maybe something to do with the fact my wife is binge-watching Christmas films on amazon prime and I can't really get away from it!!)
It is said that the Valley of the Kings is understandably a haunted and sacred place...hence the start and end of this composition, being no. 7 in the Fusion Soundscapes project....and hopefully evoking a sense of awe and majesty walking in the…
DIRTY LAUNDRY Key C
I got a call from Russell. He had to move his junk
He’d filled his car. He’d filled his trunk
Big black bags of something. I said, “What’s with these?”
He said, “It’s dirty laundry.” I said, “That’s crazy.”
So, he…
HOME
(Am D) or (F C)
VERSE 1.
Where the (G) windmill sings to the mocking bird
And the (CM7) prairie wind, without a word
(Am) Whispers thru tall (D) grass, I’ll be (G) home
(F C G) or (Am D)
VERSE 2.
Where the butter cups and…
I’ve seen you crash back down into the ash
Like an inverted Phoenix
So delectable yet totally ineffectual
Those intellectual verbal tricks
I’ve tried to save ya from your bad behaviour
And keep you safe within the mix
I’ve been here to…
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
So, what do you think... could it use more wah-wah?
This was written for the 2014 RPM Challenge. The chromatic thing at the beginning had been rattling around in my head for years and years but had never found a home.
The lyrics here…
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
The first song completed for the second round of re-recorded Quarantine Tunes. This one was written on the last day of the 2016 RPM Challenge. I had written a bunch of songs saying that people who think the Earth is flat are somehow defective…
GEETARS! :) Love the leads... Oh yeah... I think I'd like the rhythm ones louder, but they've got a lot of mids between them, so they probably could drown out the rest. I think we could take a spot more, though... Oh! Just reread the blurb - the rhythms are through a cocked wah? Ah, then you had the same problem as whoever had to mix Blizzard of Ozz, MSG, etc! LOL (I only tried that technique once - bear in mind this was a bluesrock band - my sound engineer went "wtf are you doing!?!? If you keep doing that I'm just turning your fader down..." lol)
A silly, sort of dreamlike / lullaby-ish tune, about weird travels on a bubble-gum balloon.
Lyrics:
See one time I was chewing bubble gum and it was mighty fine
I blew a bubble so big it took me up into the sky
So this is the story of where…
Comments on Andrew Russe's stuff
dig it from the first note cool guitars and bass & vocals downloaded...thanks! KC
Very impressive ! love it
I love the chord move you do at the end of line three in the verse. The lyric grabs me from, That she hopes will be the very one That you decide to wear." Because of you voice you use and the sounds it says the object of their desire/affections is David Bowie.My favorite line, among many is, And Blazey’s left her homework on the train." And, It’s never crossed their minds that you might fail."
Still love this tune...
great vocals....amazing pipes you've got there!
Excellent song. Well written and performed Andrew. Reminiscent of early Bowie for me, but unique and stylish in it's own right.
brilliant, love the guitar work !!!
wow, cool !
Nice work. Many of us would like to be able to play and sing as well as you, I'm betting.
Love it. Well played and very ZZ. Keep on rocking!
You like that girl, I like this song :-)
really good !
Takes me back to the days of great 70's era rock. Tops!!!!!
Missed this one. Nice breakdown section....sounds like red SG doodling :)
It's great the way you play different styles. Keep on rocking.
Brilliant. Love the atmosphere...
My condolences ...
The lady died. Yesterday, I believe. RIP Ally Sixsmith, thinking of you xxxxx
wow, wonderful ! This is really smooth and soulful. It has a bit of a Kinks vibe.
Andrew never disappionts , good stuff
Comments made by Andrew Russe
Yep, raised my pulse too. Nice one.
And this is mighty fine playing.
Every now and then I'm struck with "One day I'll get a mandolin..." and noodles like this encourage that.
Love it.
Oh yes. Love this one.
:) I thought I'd commented on this one too... (been distracted by Mrs R's latest Christmas film choice ... it's not even December yet!!! It's got Dolly in, though... interestingly she looked older in 1996 than she does now!!) ... Anyways, yes, I like the insistent rhythm driving it on.
Wow, that works, wasn't expecting it to at all, but it does, big time. Nice one.
Oh yes, like it. And I agree with thetworegs - it does evoke some Christmas vibes (this maybe something to do with the fact my wife is binge-watching Christmas films on amazon prime and I can't really get away from it!!)
Yep, that works. Majestic stuff.
Yep :)
I'll comment on this one :) ... mighty fine song.
Short and sweet!
Wow. Gorgeous sounds.
And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol
Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.
Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.
Cool sounds
Nope, that's not a silly little ditty at all - well, you can call it that, if you want :) - it's actually quite thought-provoking. Nice one.
GEETARS! :) Love the leads... Oh yeah... I think I'd like the rhythm ones louder, but they've got a lot of mids between them, so they probably could drown out the rest. I think we could take a spot more, though... Oh! Just reread the blurb - the rhythms are through a cocked wah? Ah, then you had the same problem as whoever had to mix Blizzard of Ozz, MSG, etc! LOL (I only tried that technique once - bear in mind this was a bluesrock band - my sound engineer went "wtf are you doing!?!? If you keep doing that I'm just turning your fader down..." lol)
That's a cool track. Pulls you in a spins you round. Like it.