Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
One of the songfight inspired titles for RPM 2007. This was also picked out of a hat. This one is the mother of all semitone slide bass/root note chord smashers. It's everywhere. The lyrics are some of my favorite, though most people have no idea…
Another of the three songfight inspired titles. Painted Tense (the title) actually came from a band name generator website. I thought it might make a good song title so I submitted it to the RPM HQ person doing the name-from-a-hat picking. I would…
This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
The horn line came first, I started humming it in the garage one very cold morning in Feb. I was stuck for a title, until a friend used Kismet in a sentence. It's a fun bouncy number, though the mix is kind of bad.
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
Another of the three songfight inspired titles. Painted Tense (the title) actually came from a band name generator website. I thought it might make a good song title so I submitted it to the RPM HQ person doing the name-from-a-hat picking. I would…
Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.
Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.
This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
I was going of to bed but when I saw this track by Redler on the collaborations board over on Songcrafters http://songcrafters.org/community/index.php?topic=19632.0 i had to investigate ....i heard it.....and jumped on it ....i can always have…
Quick recording of a new set of pipes I'm working on. Long winded explanation- prior to the late 19nth century most Irish pipes featured very small bores and finger holes and were pitched well below modern concert pitch. I've always loved them…
Just an experiment from a while back using multiple delay units. I hated it initially, but after not hearing it for a few months I decided there were enough interesting moments to warrant sharing.
This is a Phil Keaggy tune. I swiped his original loop and then built my own thing on top of it. Might have been longer, but my volume swell effect keeps slipping out of sync with everything else. May work on it more at a later date
Hi everyone.. I wrote this song for Archie Watson, son of my dear friends Lauren and Bradley Watson, who sadly was diagnosed with Tay-Sachs disease just before Christmas. Tay-sachs is a rare genetic disorder for which there is currently no cure…
Nice groove, great feel. Love the strut to this one. Great collection of songs; thanks for brightening this Saturday morning. Perfect fit for the day here...
Let me introduce to you
Every woman child and man
The place I did my growing up
Raised by grandma's hand
I think you'll find
That folks are kind
They're sure to ask you in
Enter the warmth
Close the door
And my story will begin…
A dramatisation of events from school.. hope 'Shaun' never hears this, and if he does, that he likes it in someway, and that things turned out alright in the end..
It was always rainin.
It filled him up
It summed it up
So perfectly
How nothing…
Tell me can you teach me bout your finely written poetry
Dont care about the content I just want to make em notice me
Such a fine hand they'd say wooo, study it closely
Been practicing all day I think I'm ready least I aughta be.
Caligraphy…
It aint like no ones done this before
But how can you tire of beautiful chords
In the fifties
In Tenessee
Where my love
was born
Two young men upped and
crossed the yard
both cold cos it was rainin hard.
One of them turned said…
Getting kind of sci-fi here, and I really went overboard with the samples.
It's like if George Clinton and Arjen Lucassen collaborated on a funk electronica piece after watching The 13th Floor on nonstop repeat for three weeks.
Freesound…
I went a little sample crazy this year for the RPM challenge. (This song is the tip of the iceberg, and then it gets far worse.)
Thematically, I guess this one resulted from spending a month between the hospital and a rehab facility last year…
Comments on Gary Fox's stuff
nice! Like this one. harmonies are really good. sweet vox.
you should publish your lyrics under the about tab
dark years...........
I think this track is excellent and deserves a lot of attention.
OMG, Gary - AWESOME!
Oh Yeah, Gary, Oh Yeah...you got your groove on!
Great stuff man!! Love that backwards guitar
innovative, soul-seeper, aces.
instant beatle vibe..great stuff man.
Very Drivig. Love the layers. I had the experience of listening to the song and thinking I heard someone from the other room call me....great!
Great tune!
This song has it all. Great performance too.
Great job and great sound. I like the Live sound you get on the softer parts.
Fun-key!! It suddenly becomes The Who!! Wicked!
I'm loving this song. The strings make it.
Great mix of rock, vox and strings!
I have always liked this song. Good work, amigo. ER
Foxy Beatles!
like the chelo. and interesting melody. cool break. what do you as software? tim
Ah Gary...a man after my heart - strings, string, I love strings! OUTSTANDING!
Comments made by Gary Fox
Great stomping feel on this, cool number!
Great song!
Very nice!
Just perfect.
I like the swirling nature of this. Glad you decided to put it out for us to hear.
Another fine piece of music! Volume pedal and e-bow? Not sure, doesn't matter anyway. Sounds so open and spacious. Love it...
Great sounds, great piece! Is that a volume pedal I hear? Excellent all around, Kirk! Cheers, Gary
I just love this song. In a musical sense, I fall in love with it all over again every time I hear it.
Nice work Lady Jane!
Love the tones...
Cool experimental stuff 34!
Nice groove, great feel. Love the strut to this one. Great collection of songs; thanks for brightening this Saturday morning. Perfect fit for the day here...
Great song.
Great twang and slide. Cool song, very cool.
Wow, what a great use of reverb. This has a fantastic mood. And the bells. Awesome.
Great number.
Great playing, killer lyrics. Very, very tasty.
Sweet creamy music. Sounds like a hot day driving through the country. Excellent.
Awesome
MiniMoog? Great!