Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them).
~and just letting it flow~
~Essence of a musical box with the ballerina spinning around and around~ /as Bethan said/
~
Calm the night, unstirring,
And the air so clear
Pearls of dew uncurling,
Moonlight rays unfurling
’Cross the glassy mere.
Dulcet waves appeasing…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
The closing number.
Lockdown:
We don't get to choose our days or chase our past
We only get the ones, we've made to cast
but there are things I'd say if I could
and If I was a better man
but under lockdown all I have...
Sweet end…
Ok, I have decided to put it here. It is a stretch containing several ideas, it falls apart here and there (especially at 3:10), but I think the atmosphere shines through.
Hope I can return to it in a couple of weeks (when my head is clear…
We went to visit my dad at his assisted living facility and they have a Yamaha Clavinova on which I improvised for a half hour to provide some entertainment. This is a ~ 3 minute excerpt from about half way through. This was recorded on my Zoom…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
An old Rodeo cowboy thinking about his life, and how he'll get to the next Rodeo to maybe make some money.
I was traveling down the interstate and happened to look out my window. Just by chance this fellow in an old pickup truck passed us. In…
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Written August 29, 2009 and Recorded March 22, 2010
Details: Epiphone Les Paul (DADGAD, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
I don't normally repeat myself, but when I sat down tonight…
I don't normally repeat myself too, but when I sat down to listen this melody first thing that came to me was peaceful elegy. Thank you Doug. I' m dreaming about to collaborate with you somehow.
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Written and Recorded: Feb 28, 2010
Details: Epiphone Les Paul (FBbEbGCF, FBbEbGDbF, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
Last track for RPM 2010, and by far my favorite of the batch…
The vodka, ahhh. One of 3 that I recorded to a dimming flashlight during a power outage.
One take into the Micro BR hole with some harmony and noodle overdubs.
Vodka
I want the vodka
'Cause I know it's gonna make me play better…
Comments on igor's stuff
Like how some the songs have a much springer/bright sound than the others
great composition
Wonderful album of sweet tones - I'll return to this exceptional playlist again and again.
very nice
Good one, wild turnarounds.
Wonderful album Igor. I love nylon string classical guitar ;)
Very lovely.
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
really very nice,, what synth did you use for the horn,, i liked it's tembre very much
I remember watching doves flying around Checkpoint Charlie back in the 70's.
What a gorgeous composition with many faces.
Missed this one. Gorgeous!
Very nice
evocative soundscape and quite beautiful playing
And a lovely moment it is!
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them). ~and just letting it flow~
So nice, quiet and innocent sounds... super nice.
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Lovely piece!
So beautiful, Igor...
Comments made by igor
~swan-song's closing credits~
~...and his call sign "radio neon". On air, now...~
~What did you dream?~It's all right, We told you what to dream~ ~ Welcome to the machine~Since you're Last Guest~
~September is your month, though~
Clavinova is a cool instrument w/top sound and keyb quality. I have one :-)
Here I'm agreed with Bethan.
That's good. Like it. How...now do-o-w... Here to stay.
~slow massive comin'~
~Soundscape from peaceful metropolis. City, which is not.~
...and - Cheers!
To say "thank you" in time ... It's rarely possible, I would say.
So beautiful americana here! Like it.
~Outside Night Elegy~
...fluffy gravity of fluffy clouds...
I don't normally repeat myself too, but when I sat down to listen this melody first thing that came to me was peaceful elegy. Thank you Doug. I' m dreaming about to collaborate with you somehow.
Bit more keyboards :-) and "Boston" will reborn here. I like it. You're American Rocker, yeahh...
I'm a whisky drinker, too.
...I don't know why. I like it, really.
That one I really like, Doug. Here you're at your best, Doug. I like layers...
Prost!